Dance is one of our most natural ways to communicate and express our thoughts.
This temporal moment is an instant visual image that leaves us with something once the performance is over.
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to NO INTRODUCTION Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her. 
CABARET Couple: Talking to the married stars of a Broadway tour Roundabout Theatre Company's Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9 
TOMMY & ME (Theatre Exile): Theatrical touchdown A lovely and elegiac look at how a sportswriter developed his love for football and friendship with an Eagles quarterback. 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
// What do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do it with the expectation of financial gain. That’s the provocative premise behind David Leddy’s fast-paced 65-minute two-hander LONG LIVE THE LITTLE KNIFE, which began as a mini-commission for the Royal Shakespeare Company in London’s British Museum, then became a full-length hit at the 2013 Edinburgh Fringe Festival, and is now enjoying its American premiere with Inis Nua Theatre Company.
