The Annual Christmas “Cash Cows”: Cultural demands or financial survival for new productions?
Is the Christmas period still a financial savior for their theaters and choruses.
ANNA Crusis Women’s Choir
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CANDIDE (Philadelphia Orchestra): A dilettante at large review A dilettante at large Toby Zinman reviews Candide by Leonard Bernstein. 
The Master and the Magician: Fred Hersch and Cécile McLorin Salvant open the McCarter’s Second Jazz in June Festival She pleases, she teases, and she appeases. 
“Passionate iconoclast and maverick”: Interview with Robert Smythe, Ahab in Hedgerow’s MOBY-DICK Henrik Eger thought he knew MOBY-DICK until he saw Robert Smythe as Ahab. 
ALTAR CALL (Melissa McBain): “Theologically speaking, have you ever considered going to hell?” ALTAR CALL begins and ends with hymns, not only setting the mood but, through carefully chosen songs, it sends out thought-provoking message... 
A Brief History of Early Publishing in Philadelphia Early publishing in Philadelphia has a rich and storied history. William Penn founded Philadelphia in 1682; within three years the nasce...
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From the archives…
The Pope, the Writer, and the Saint: Catholic theater for Pope Francis’s visit to Philadelphia
Audiences in town to see the Pope are treated to a play by a Philadelphia playwright about a Philadelphia saint. more…
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Theater in Sketch: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Walnut Street)
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What Peaches and What Penumbras! A musical play concludes Whitman at 200
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BETTY’S SUMMER VACATION (IRC): A terribly funny nightmare of a beach trip
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Up and Over the Rainbow: The Impact of Judy Garland on the work of Tyler Houchins
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Irving Berlin’s HOLIDAY INN (Surflight Theatre): 60-second review
