A brilliant NUTCRACKER shows the company’s heightened artistry.
Eri Yoneda speaks with the artistic director of PA Ballet about his new production of Giselle.
SWAN LAKE is the classic that people think of when they hear the word “ballet.”
What is normal or abnormal? What is black or white? What is right or wrong? Or are those ideas all meaningless in this chaotic world?
The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.
Not only successful as a forum to provide opportunities and experiences to young choreographers and dancers, the Choreographic Workshop was also very well done as a performance.
My choreography is inspired by Shel Silverstein’s poetry and its style is musical
Pennsylvania Ballet II is performing four new dance works created on the dancers of the company by four talented choreographers with deep connection to Philadelphia ballet scene.
Lily Kind uses a recent PA Ballet program to look at what makes a ballet a ballet and what makes a dance a dance.
It uses the same stage, the same music, and the same settings as previous years, but this year’s NUTCRACKER is even more convincing and more magical than before.
PB II performed under clear, blue skies, with William Penn as their backdrop
For the last program of Pennsylvania Ballet’s 2015-2016 season, Angel Corella challenges both the dancers and the audience with the four experimental dances
It would not be too much to say that this has been one of the most exciting and accomplished seasons in Pennsylvania Ballet’s history.