Angel Corella

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LE CORSAIRE (PA Ballet): A flamboyant and passionate ballet of the pirates

Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.

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Choreographic Workshop (PA Ballet): Dance beginnings from Pennsylvania Ballet

Not only successful as a forum to provide opportunities and experiences to young choreographers and dancers, the Choreographic Workshop was also very well done as a performance.

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Russell Ducker on his Choreographic Workshop with PA Ballet II

My choreography is inspired by Shel Silverstein’s poetry and its style is musical

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Alexandra Hughes on Her Choreographic Workshop with PA Ballet II

Pennsylvania Ballet II is performing four new dance works created on the dancers of the company by four talented choreographers with deep connection to Philadelphia ballet scene.

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Bad Title, Good Bloopers, and Brian Sanders: PA Ballet’s REVOLUTION

Lily Kind uses a recent PA Ballet program to look at what makes a ballet a ballet and what makes a dance a dance.

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George Balanchine’s THE NUTCRACKER (PA Ballet): Showcasing the next great talents

It uses the same stage, the same music, and the same settings as previous years, but this year’s NUTCRACKER is even more convincing and more magical than before.

Photo Credit: Alexander Iziliaev

REVOLUTION (PA Ballet): Revolution for our mind

Dance is an ever-changing artform: the standard themes change, technique changes,audiences change. Even such key aspects and tools as the body shape of the dancers change.

Pennsylvania Ballet principal dancer Oksana Maslova in Ben Stevenson’s CINDERELLA.
Photo Credit: Alexander Iziliaev

CINDERELLA (PA Ballet): Enchanting ballet magic

The ballet shows the brave and caring intention of artistic director Angel Corella to the company and the Philadelphia ballet fans.

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Pennsylvania Ballet II performs at Culture in the Courtyard

PB II performed under clear, blue skies, with William Penn as their backdrop

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BALANCHINE & BEYOND (PA Ballet): Experiment and challenge our comfort zone

For the last program of Pennsylvania Ballet’s 2015-2016 season, Angel Corella challenges both the dancers and the audience with the four experimental dances

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A PROGRAM OF FIRSTS (PA Ballet): Remembering the start-line

It would not be too much to say that this has been one of the most exciting and accomplished seasons in Pennsylvania Ballet’s history.

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DON QUIXOTE (PA Ballet): Love and passion, Spanish style

Based on the beloved novel, Don Quixote de la Mancha by Miguel de Cervantes, DON QUIXOTE has been one of the most popular and challenging ballets for over a century.

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From Spain, with Love: Angel Corella and PA Ballet’s Don Quixote

“There was really only one option,” laughs the Spaniard. “It could only be Don Quixote.”

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STRENGTH & LONGING (PA Ballet): Longing for higher and stronger

The selections show artistic director Angel Corella’s close attention to the dancers’ talents and characters and his passion to bring out the best in them.

Principal Dancers Julie Diana and Ian Hussey in THE NUTCRACKER. Photo by Alexander Iziliaev

THE NUTCRACKER (PA Ballet): A beloved holiday tradition

A holiday tradition for many Philadelphians, the Pennsylvania Ballet’s NUTCRACKER returns for another season.

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SPEED & PRECISION: (PA Ballet): Color and character at the start of a new chapter

In his second season as the artistic director of the Pennsylvania Ballet, Angel Corella is hand-picking the entire program for the first time.

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Keigwin, Fonte, & Forsythe (PA Ballet): Dance review

As Angel Corella’s first season with Pennsylvania Ballet draws to a close, it’s safe to say that his tenure as the company’s artistic director is off to a very impressive start.

Artists of Pennsylvania Ballet. | Photo: Alexander Iziliaev

A TRIBUTE TO JEROME ROBBINS (PA Ballet): Perfect for Mother’s Day

Most balletomanes credit Balanchine with capturing the American spirit in ballet, but to me it’s Jerome Robbins who deserves the accolades.

Alexander Peters in George Balanchine's "Prodigal Son." Photo credit: Alexander Iziliaev.

PRODIGAL SON (PA Ballet): Ballet forward with Corella

New artistic director Angel Corella was able to take full advantage of works by George Balanchine, Christopher Wheeldon and a premiere from resident choreographer Matthew Neenan, to start to show his retooling of the company.