Director Sammi Cannoid brings a lot of thought to the Webber/Rice juggernaut EVITA. Can the show’s libretto handle it?

Justin Geiss talks about working as a “swing” performer who can be called on to take the stage at a moment’s notice.

Sketches of the Phantom of the Opera sequel.

Most things are destined to be average, even musicals that have managed to stay on Broadway for a couple of years.

Doylestown native and Penn State grad Liam Fennecken is ready to rock and roll in the high octane musical SCHOOL OF ROCK.

Abigail Mentzer makes her return to Philadelphia as a ballerina in the national tour of The Phantom of the Opera.

I went in to the show a doubting Thomas a came out a believer.

Few singers can do what Ann Crumb can do, namely to transform herself in such versatile ways that people follow her wherever she goes, whether she performs on Broadway or in Media. Crumb, a depowered female King Lear, dominated every scene of SUNSET BOULEVARD in her own dream castle.

Eric Rockwell and Joanne Bogart raise the stakes with their devilishly clever and cheekily smart send-up of prolific songsmiths Sondheim, Jerry Herman, Andrew Lloyd Webber, Richard Rodgers, Oscar Hammerstein II, John Kander, and Fred Ebb, THE MUSICAL OF MUSICALS.