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Tag: Andrew Criss

Reviews Theater

THE NIGHT ALIVE (Inis Nua): 60-second review

Christopher Munden October 12, 2019 No Comments

A quiet, human look at modern isolation

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Reviews

THE SEA VOYAGE (PAC): 2019 Fringe review

Rudolf Schreiber September 11, 2019 No Comments

PAC makes waves with a solid classic comedy with simplistic use of physicality and inventive fight choreography.

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Fringe Festival Fringe reviews Reviews Theater

THE SEA VOYAGE (PAC): 2019 Fringe review

Lisa Panzer September 8, 2019 No Comments

Adventure, reunion, and love intertwine to create a scrappy maritime tale of marauding and romance.

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Features Fringe Festival

A Welcome to the International Artists at the 2019 Fringe Festival

Henrik Eger September 5, 2019 1 Comment

Henrik Eger greets international Fringe artists.

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Fringe Festival Previews Theater

Fringe preview: Sail away with the PAC

Smalley Bogg September 2, 2019 No Comments

Philadelphia Artists’ Collective hits the water with another Fringe gem.

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Reviews Theater

OUR FEW AND EVIL DAYS (Inis Nua): Tantalizing ambiguity

Toby Zinman April 30, 2018 No Comments

This is difficult review to write since almost anything I’d say would be a spoiler. I can say this much: Go see it.

View More OUR FEW AND EVIL DAYS (Inis Nua): Tantalizing ambiguity
Reviews Theater

THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati

Kathryn Osenlund June 13, 2017 2 Comments

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

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Reviews Theater

MRS. WARREN’S PROFESSION (Lantern): Thought-provoking amusement

Neal Zoren for NealsPaper September 26, 2016 No Comments

In a Philadelphia theater season with an auspicious beginning, this production of MRS. WARREN’S PROFESSION might be the most auspicious of all.

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Reviews Theater

THE THREE MUSKETEERS (Quintessence): Swordplay and horseplay combine in a breezy adaptation

Neal Zoren for NealsPaper May 2, 2015 No Comments

As always with an Alexander Burns production, imagery is rife, props are creative, and jokes come as much from sight gags as from dialogue.

View More THE THREE MUSKETEERS (Quintessence): Swordplay and horseplay combine in a breezy adaptation

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