Andrew Criss

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OUR FEW AND EVIL DAYS (Inis Nua): Tantalizing ambiguity

This is difficult review to write since almost anything I’d say would be a spoiler. I can say this much: Go see it.

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THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

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MRS. WARREN’S PROFESSION (Lantern): Thought-provoking amusement

In a Philadelphia theater season with an auspicious beginning, this production of MRS. WARREN’S PROFESSION might be the most auspicious of all.

Ken Sandberg, Connor Hammond (as d'Artagnan), Parke Fech. Photo by Alexander Iziliaev.

THE THREE MUSKETEERS (Quintessence): Swordplay and horseplay combine in a breezy adaptation

As always with an Alexander Burns production, imagery is rife, props are creative, and jokes come as much from sight gags as from dialogue.