Andrew Criss

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THE SEA VOYAGE (PAC): 2019 Fringe review

PAC makes waves with a solid classic comedy with simplistic use of physicality and inventive fight choreography.

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THE SEA VOYAGE (PAC): 2019 Fringe review

Adventure, reunion, and love intertwine to create a scrappy maritime tale of marauding and romance.

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A Welcome to the International Artists at the 2019 Fringe Festival

Henrik Eger greets international Fringe artists.

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Fringe preview: Sail away with the PAC

Philadelphia Artists’ Collective hits the water with another Fringe gem.

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OUR FEW AND EVIL DAYS (Inis Nua): Tantalizing ambiguity

This is difficult review to write since almost anything I’d say would be a spoiler. I can say this much: Go see it.

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THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

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MRS. WARREN’S PROFESSION (Lantern): Thought-provoking amusement

In a Philadelphia theater season with an auspicious beginning, this production of MRS. WARREN’S PROFESSION might be the most auspicious of all.

Ken Sandberg, Connor Hammond (as d'Artagnan), Parke Fech. Photo by Alexander Iziliaev.

THE THREE MUSKETEERS (Quintessence): Swordplay and horseplay combine in a breezy adaptation

As always with an Alexander Burns production, imagery is rife, props are creative, and jokes come as much from sight gags as from dialogue.