The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.
Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.
Based on the beloved novel, Don Quixote de la Mancha by Miguel de Cervantes, DON QUIXOTE has been one of the most popular and challenging ballets for over a century.
A BILLION NIGHTS ON EARTH (Thaddeus Phillips and Steven Dufala): 2017 Fringe review It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet. 
WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review Relevant themes and ideas rarely seen on an opera stage 
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review On the Rocks proves you can dismantle the master’s house with his tools. 
TOWN (Jolie Darrow & Jack O’Keeffe/PHIT Comedy): 2017 Fringe review TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake. 
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut Street Theatre): 60-second review The promise of “something for everyone” is both too little and too much. 
A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York
