A bizarro fusion of indolence, violence, nudity, sex, and dance
Red Lodge, Montana is The Antidote’s Fringe love letter to Lynch
For their June show, the Idiopathic Ridiculopathy Consortium decided to take on a grotesque play by Christopher Durang which Tina Brock directed. Brock herself has the prime comedic role of…
Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career.
Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha’s production captures her brilliance.
A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.
Barrymore Award-nominated actress and choreographer K.O. DelMarcelle talks about her past experiences, current life, and future aspirations.
Return with us now to those thrilling days of yesteryear when Frank Rizzo strode the city like he owned it.
A world-premiere production on former Mayor Frank Rizzo portrays the good and the bad of the controversial Philadelphia icon.
Even a brief encounter with Allen Radway reveals the intelligence, sympathy, and generosity of spirit evident in his theatrical work. We talk to him ahead of his newest, CCTCs THE TEMPEST.
David Hirson’s riotous comedy in rhyming couplets evokes the farcical Baroque style of Molière while conveying a timeless message about high art versus low art.
Concluding its 2013-14 themed season “Once upon a Time,” Luna Theater Company’s 80-minute Philadelphia premiere of BRAINPEOPLE, told in real time, is mysterious, disturbing, and challenging; but then director Gregory Scott Campbell was never one to avoid a challenge
With clever repartee, SNOWGLOBE cleverly tackles deep existential questions. Under Bill McKinlay’s direction, the actors bring life and nuance to the clever Beckettian back-and-forth.