The Bechdel family has a funeral home (dubbed Fun Home by the kids) and also a not-fun family home.
There was a perfection to the timing of FUN HOME’s arrival in Philadelphia: Another take on FUN HOME
FUN HOME is both a musical and a family drama; it’s also an activist declaration
A Fairy Tale Role: Lukas James Miller in CINDERELLA Lukas James Miller takes on the role of his dreams as Topher in Rodgers + Hammerstein’s Cinderella. 
The Authenticity and History of Giselle: Interview with Angel Corella of Pennsylvania Ballet Eri Yoneda speaks with the artistic director of PA Ballet about his new production of Giselle. 
JOHNNY DEPP (Val Dunn & Jenna Kuerzi): A Valentine date with late-stage capitalism I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in my e... 
HYPE MAN: A BREAK-BEAT PLAY (InterAct): Compromise and dialog can work Idris Goodwin's play shows how compromise and dialog work better than insults and labels 
THE GOVERNMENT INSPECTOR (IRC): Corruption! A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson. Support Phindie operations
Trajal Harrell’s TWENTY LOOKS comes in a selection of lengths and sizes, and although the Presented Fringe version of his solo show runs extra small, at a mere 25 minutes to a 25-person audience (hence the XS in the extended title), you will be reminded that good things come in small packages. more…
