Alexis Distler


NUREYEV’S EYES (DTC): Painter and dancer onstage

Michael Mastro’s production invigorates David Rush’s play so effectively, you almost don’t notice that each of Rush’s scenes have the same paradigm and general outcome.

3. DTC, NORA, KimCarson, ChrisThorn

NORA (DTC): A riveting production of a feminist classic

Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD