Pennsylvania Ballet’s fifth program of the current season is a historically intriguing.
The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds Review of A DYBBUCK from EgoPo Classic Theatre 
A DOLL’S HOUSE (Ebenezer Maxwell Mansion): 60-second review It's hard to imagine a better set design for Henrik Ibsen's devastating feminist classic than the living room of the Ebenezer Maxwell Ma... 
Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT Quintessence Theatre's production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experienc... 
THE WITCH OF EDMONTON (REV Theatre): Put on the Dog! "…there's a dog already biting,—'s conscience." ~ Dog in The Witch of Edmonton
Theater in Sketch: THE BROWNINGS (Orbiter 3) The art world can be as small as one makes it, and the codependent relationship in THE BROWNINGS begins to shut out the rest of the world. Support Phindie operations
I’ve gone from a fan and admirer to an enthusiastic supporter of Jen Childs in I WILL NOT GO GENTLY. more…
