“In the realm of the unknown, kids and adults have pretty much the same needs: courage, resilience, protection.”
The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe
Shakespeare made simple, and simply fun.
Sleeping Beauty the Musical Panto by Peter Pryor and Samantha Reading expresses an ageless story. It is an artistic exploration into space, time, and sound.
Ho boy, it’s been quite the election cycle. Thankfully, Philadelphia has 1812 Productions to ease the pain with its annual satirical show.
An outstanding ensemble recounts the backstory of Peter Pan in a madcap prequel with music.
This year’s installment of the annual politically-incorrect political comedy skewers the presidential candidates and brings some welcome laughs to a troubled week
Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life.
This hilarious musical workshop reading of an adapted 19th-century fairytale is a treat for all ages!
The creators/performers of THE LIGHT PRINCESS discuss the development of their adaptation of the 19th-century Scottish fairytale before its workshop production in the Fringe.
Theatre Horizon tackles Steven Sondheim’s alternative take on fairy tales.
ARTHUR AND THE TALE OF THE RED DRAGON: A MUSICAL PANTO (People’s Light): Coming of age in the Middle Ages
The family friendly holiday panto takes a wacky look at the growing pains of the future King Arthur as he faces the challenges of life, learning, and leadership.
THE TWO GENTLEMEN OF VERONA (Pennsylvania Shakespeare Festival): Fickle Love and an Irresistible Canine
Contrasting the giddy inconstancy of youthful passion with the unconditional love for and the stolid fidelity of a pet dog, THE TWO GENTLEMEN OF VERONA—one of the Bard’s earliest works—is a delightful rom-com/bromance (descended from the medieval genre of male friendship literature) that offers the perfect entertainment for a summer audience. And the Pennsylvania Shakespeare Festival’s production, as directed by the ever-masterful Matt Pfeiffer, strikes the perfect balance between the comedy’s irrepressible fun and playfulness and its more serious message about regret, repentance, forgiveness, and camaraderie.
Lampooning everything from Hillary Clinton ‘not’ running for President in 2016 to NJ Governor Chris Christie ‘not’ closing the George Washington Bridge, 1812 Productions’ THIS IS THE WEEK THAT IS delivers non-stop laughs in a fast-paced ensemble-devised review of today’s important issues.
Alex Bechtel’s world-premiere production THE WEST is packing the house at the Off-Broad Street Theater in its short six-performance run. The ensemble-devised work, with Bechtel as the lead creator and director, features a cast of twelve emerging Philadelphia theater artists and an absurdist reinvention of the last days of the notorious Western gunman Billy the Kid.
THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”
In celebration of its tenth anniversary season of wintertime pantos People’s Light & Theatre Company in Malvern is presenting a remount of CINDERELLA, its most acclaimed panto to date.