There was one small signboard at the sidewalk of the Performance Garage. The door was closed with just dimmed lighting through windows. Not so much of announcements or advertisements on…
Angel Corella’s restaging preserves the tradition of the classic ballet and manifests true love onstage.
The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.
Theater in Sketch: JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Val Dunn & Jenna Kuerzi) I was looking forward to catching Val Dunn a... 
THE LION KING (dir. Jon Favreau): Beautiful and utterly pointless A film review of the CGI live action remake 
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking fo... 
Presenting stronger new dramas by overcoming “premieritis” The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres” 
Full Cirque: Alix Croop returns to her hometown with AMALUNA Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria... Support Phindie operations
Last night at Christ Church Neighborhood House, Hybridge Arts Collective brought it to me live with ID:3, an evening of three performance works by the co-directors of said collective. I was going in blind and in good faith, because I love Hybridge Arts’ mission. more…
