A beautiful spectacle, full of humor, sadness, joy and handstands
Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics
combines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.
Did you know you were a member of a secret religious cult? You are, and a meeting has been called to elect a new leader
Almanac Dance Circus Theatre treat their audiences to a flippin’ fantastic foray into the world of waves and seafaring.
IMPROVISATIONAL DANCE PERFORMANCE (Graffito): From playful to meditative, Graffito Works movers capture the spirit at Shofuso Japanese House & Garden
It was a blistering hot day in Philadelphia as the newly formed Graffito Works dance had its launch at Shofuso Japanese House and Garden in Fairmount Park. This new dance…
This month, Cliveden opens its historic grounds for a two-night engagement of new performing arts.
With WE ARE BANDITS, director Rebecca Wright and Applied Mechanics are working against a brutal opponent: American cynicism.
They’ve turned the third-floor space of Asian Arts Initiative into what looks like a sprawling, minimalist installation piece. Tables, chairs, and little else delineate various spaces throughout the basketball-court-sized venue, including a city square, the apartments of various characters, a rooftop, and a church.
SoLow is about play.
There are some plays in it.
There are some . . . things . . . in it which are not plays.
But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.
To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
The action in COMMUNITAS could be best described as four people taking turns carrying one another around a space, then falling off, then swapping who carries whom. In a way, it is structured around a continual exploration of ways to make two or more people into one. Balance is challenged not by standing on a tight rope, but by joining two bodies at a single point and leaning precipitously apart; disassemble and repeat as necessary.
Together with collaborator Nick Gillette, Ben Grinberg founded Almanac Dance Circus Theatre to offer production of his unique brand of acrobatic theater. Almanac’s inaugural show, Communitas, launches this May 22-24 at Christ Church Neighborhood House. Phindie asked Ben a few questions about the show and his new company.
THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”