Aaron Kirkpatrick

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DOCTOR FAUSTUS (Quintessence): If you want to know everything, go to hell

A remarkably original and gloriously entertaining version of the Marlowe play.

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SAINT JOAN (Quintessence): The Maid’s new clothes

George Bernard Shaw’s play is presented in rich tonalities of color, light, positioning, and sound. It is wide awake.

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You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE

Matt Pfeiffer discusses the Eugene O’Neill play ahead of PAC’s reading.

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DEATH OF A SALESMAN (Curio): Bringing Arthur Miller to life

Curio’s production underscores the delusion and the rawness of the lives of the Loman family.

"Kiss me, Kate": Aaron Fitzpatrick and Jenna Kuerzi in THE TAMING OF THE SHREW.

THE TAMING OF THE SHREW (Philadelphia Shakespeare Theatre): A woman moved

In her amusing staging of Shakespeare, director Carmen Khan focuses on the compromise, interplay, and transformative power of love which make up a mature relationship.

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KILL WILL (Philadelphia Shakespeare Theatre): 2015 Fringe review 54

Seven actors explain, enact, and parody a series of Shakespeare’s “bloody bits” in this fast, furious, and funny mash-up of The Bard’s iconic death and battle scenes.

Leonard Haas in I HATE HAMLET at Montgomery Theater. Photo by Angela McMichael.

I HATE HAMLET (Montgomery): Paul Rudnick knows a hawk from a handsaw

I have seen a dozen productions of I HATE HAMLET, including the legendary Broadway staging that induced Evan Handler to complain to Actors Equity against co-star Nicol Williamson. This is one of the best.