Aaron Bell

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MILLENNIA (Brad Ogden): 2016 Fringe review 63

Millennia is funny, ambitious, and a little bit confused—just like millennials.

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AN OCTOROON (Wilma): A melodrama, a social commentary, an experience

Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience

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BITTER HOMES AND GARDENS (Bearded Ladies at PHS Pop-Up)

The Bearded Ladies latest show is planted full of good ideas, some of which germinate, some of which reach farther than they can comically travel, and some of which die on the vine.

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HANDS UP (Flashpoint): From micro- to macro- aggressions

As the nation mourns the victims of over-zealous policing, Flashpoint Theatre Company’s HANDS UP attempts to make sense of this injustice.

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HOME FOR THE HOLIDAYS (Blend Theatrics): A sweet treat for the season

Holiday magic is alive and well at the Laurie Beechman Cabaret Theater.

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Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames

“You will be broken and put back together again,” as one theatregoer commented on Facebook.

Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.