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GROUNDED (InterAct): The killing screens

GROUNDED is a tale for our times: war is most hellish when it resembles office life, reality is most profound rendered in pixels.

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Pennsylvania Ballet II performs at Culture in the Courtyard

PB II performed under clear, blue skies, with William Penn as their backdrop

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THE BIRDS (Curio): Terror takes flight

This adaptation by master Irish playwright Conor McPherson finds its horror in the claustrophobic relationships between its four characters

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Opera in Sketch: BREAKING THE WAVES

This opera was really something else. An adaptation by Mizzy Mazzolli (music) and Royce Vavrek (libretto) of a movie by Lars von Trier.

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ELECTRA (Villanova): Sophocles gets electrified

Review of Sophocles’ Electra at Villanova Theatre

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Thomas Choinacky Says There’s No Hope

The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8.

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Leading the Blind: Interview with the director and cast of Irish Heritage Theatre’s MOLLY SWEENEY

We presented five questions to IRT’s Peggy Mecham, the director, and the three cast members: Kirsten Quinn as Molly Sweeney, the blind woman; Ethan Lipkin as the husband; and Michael P. Toner as the physician.

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MOLLY SWEENEY (Irish Heritage Theatre): That the blind may see

Turn off your phones, step away from your laptops, and run, don’t walk to the Irish Heritage Theatre’s first ever Barrymore-eligible production.

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Philly’s Kinda Cool episode 2.1: We back!

Would Sebastian would rather sleep with Hillary or Donald, what the hell his Fringe show was about, and what’s the worst way to cook an omelette?

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Drone Warfare Hits Home: Kittson O’Neill on InterAct’s GROUNDED

Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.

Bowman Wright in THE MOUNTAINTOP at People’s Light (Photo credit: Mark Garvin)

THE MOUNTAINTOP (People’s Light): An original vision of Martin Luther King

Katori Hall’s creative re-imagining of Martin Luther King’s final night before his assassination in 1968 is delivered through forceful performances and an evocative design.

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Are Bitcoin Transactions Anonymous?

It is All in the Network

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TURANDOT (Opera Philadelphia): Puccini at the Academy

Giacomo Puccini (born 1858) left his last opera, TURANDOT, unfinished at his death in 1924.

Photo by Joanna Austin/ AustinArt.org.

HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs

Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.

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RIZZO (PTC): A larger-than-life life onstage

An entertaining work about a compelling character, RIZZO displays pitfalls common to biographical drama.

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Rita Mahtoubian is not a Terrorist, and other film school shorts

The fourth season of Film School Shorts features Rita Mahtoubian is not a Terrorist, co-produced by Philly-raised director Julia Lerman.

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Philadelphia Theater Calendar: October 2016

Calendar of shows, October 2016.

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DEATH IS A CABARET OL’ CHUM: A GRAVEYARD CABARET (REV Theatre Company): 2016 Fringe review 94

REV Theatre Company let loose a quirky combo of fright-night-meets-kickline-cabaret for this year’s Fringe.

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MARTHA GRAHAM CRACKER CABARET (Martha Graham Cracker): 2016 Fringe review 93

Martha Graham Cracker brought the Fringe Festival to a close last Saturday with a marvelous set of compositions