Most things are destined to be average, even musicals that have managed to stay on Broadway for a couple of years.
Artist Chuck Schultz visits the Prince Theater for the latest show from KYL/D.
Doylestown native and Penn State grad Liam Fennecken is ready to rock and roll in the high octane musical SCHOOL OF ROCK.
Neill Hartley’s ensemble for FROZEN makes the most of all the emotion and thoughtfulness Bryony Lavery invests in his play of forgiveness, redemption, and moving on.
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger
In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and began hoping Stern, a known…
Seeing the bodies and minds of Honji Wang and Sebastien Ramirez meld together during the performance proved visually moving for me.
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
The choreography is intellectual and at the same time improvisational and spontaneous
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.
SWAN LAKE is the classic that people think of when they hear the word “ballet.”
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;