A review in words and sketches.
The film blogosphere has been alight about Joseph Kahn’s latest feature, Bodied, since its explosive debut at TIFF over a year ago.
Not quite “Sing, oh muse, of the rage of Achilles.”
The experienced dancer and aspiring choreography spoke to Phindie days before his world premiere.
An open letter to a theater legend.
From Portugal comes what is easily the funniest film of 2018
Civilization has collapsed but The Simpsons is still going.
Chuck Schultz previews Lucas Hnath’s sequel to Ibsen’s classic.
Traverse a culinary landscape marked by family memories and ancient myth
In this world, space isn’t the final frontier. It’s the California desert post-gold rush.
Henrik Eger considers PTC’s Sweat, Walnut’s Holiday Inn, and the state of American culture.
Dan Scully reviews the latest movie from the director of The Lobster.
Like all good thrillers, THE GUILTY weaves in current issues from the real world,
Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.
Never underestimate the power of taking away the lights. Then anything might be there in the dark.
The thrill of a big show-biz production and the feeling of authenticity
Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for movies like The Room tend…