Search Results For “henrik eger”

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Publisher and Editor in Chief Christopher Munden Editors at Large Henrik Eger Debra Miller Technical Adviser Jon Marquis Frequent Contributors Dorie Byrne Henrik Eger Julius Ferraro Jessica Foley Nicole Forrester…

LAST CHANCE: From law to lyrics, from classics to folk, interview with Jack Scott and Ingrid Rosenback, Philadelphia’s popular duo.

Last Chance, the musical duo of singer-songwriter Jack Scott (banjo and guitar) and fiddler-vocalist Ingrid Rosenback, has been playing together since 2011 and as a duo since 2012.

A “real” American isn’t just a white American: Jeanne Sakata and the Journey of Gordon Hirabayashi. Part 2 of the interview with the playwright of HOLD THESE TRUTHS (Plays & Players

Jeanne Sakata gives another interview on her moving play HOLD THESE TRUTHS, about Gordon Hirabayashi’s battle with the Supreme Cour to stop the injustices of Japanese American internment camps.

“We are not nearly as special as we think we are!”: Denise Shubin gives a candid interview about the Philadelphia theater community

For almost three decades, hundreds of theater artists and young companies spread their wings at the Shubin Theatre, Denise Shubin’s converted house on Bainbridge Street.

Makoto Hirano in the role of Gordon Hirabayashi in Plays & Players' production of HOLD THESE TRUTHS.

HOLD THESE TRUTHS (Plays & Players): When the hero loses, we all lose

The lesser-known story of Gordon Hirabayashi, who ought to be publicly regarded as one of America’s outlying forces of justice, is told fearlessly by Makoto Hirano in Jeanne Sakata’s HOLD THESE TRUTHS.

However Painful the History: Interview with Jeanne Sakata, playwright of HOLD THESE TRUTHS (P&P)

One of the most shameful aspects in modern US history took place during World War II, when large numbers of Japanese-American citizens of all ages, including babies, were forced to…

Kristen Bailey (as Gregor). Photo by Shawn May

THE METAMORPHOSIS (Quintessence): Leave the bug spray at home

A sensational production of Franz Kafka’s story, utilizing sound, movement, color, and light to transport the audience into the eerie world of salesman-turned-cockroach Gregor Samsa .

imé Donna Kelly and Lynnette R. Freeman in THE DANGEROUS HOUSE OF PRETTY MBANE.

Phindie in 2014: The most-read articles of the past year

The first complete calendar year of Phindie’s existence is almost at a close. This year Phindie published almost 500 pieces on local theater, dance, and other arts. We look back at the articles which you liked the most in 2014. Here are the top ten in various categories.

Get to know your favorite Phindie editor

Christopher Munden is the publisher and editor of Phindie. In these pages you’ve probably read what he thinks about local theater and arts. But what’s his deal? Read Henrik Eger’s interview with…

Political choreographer: Interview with Rami Be’er, artistic director of Israel’s Kibbutz Contemporary Dance Company

No dance company on earth has a history as moving as the Kibbutz Contemporary Dance Company. KCDC’s story begins with Yehudit Arnon, an 18-year-old Jewish dancer who was interned at…

Jared Reed as Hamlet and Jennifer Summerfield as Horatio in Hedgerow Theatre's HAMLET. Photo by Kyle Cassidy.

To alter or not to alter, that is the question: Dan Hodge on directing HAMLET in unorthodox ways

Dan Hodge discusses his edited version of HAMLET, onstage through November 23 at Hedgerow Theatre.

Contributors

Christopher Munden has written and edited for many inconsequential publications, websites, and cultural institutions. He is the editor/publisher of the Philly Fiction book series, a coach and board member of the Kensington Soccer Club; and…

“My busy, wacky, wonderful life”: Parents on stage and off stage, THE ADDAMS FAMILY (Media Theatre)

The wacky parents of THE ADDAMS FAMILY at the Media Theatre share the joys and difficulties of juggling two lead roles in their lives.

(L-R) Bob Schmidt, Michael Dura, Tina Brock (front), Tomas Dura and David Stanger in Eugène Ionesco's Rhinoceros. Photo Credit: Johanna Austin (www.austinart.org)

On becoming a RHINOCEROS: Interview with director Tina Brock 

Tina Brock, writer, actor, founder and producing artistic director of the Idiopathic Ridiculopathy Consortium (IRC) since 2006—Philadelphia’s only absurdist theatre company—holds degrees from the University of Maryland and West Chester University, works as a Standardized Patient Trainer at the National Board of Osteopathic Medical Examiners, and makes the impossible possible, year after year, with some of the most thought provoking and unusual productions.

Rhythm, race, and energy: Interview with Ozzie Jones on the first African American production of DEATH OF A SALESMAN in Philadelphia

The issue of diversity in theater (and in theater reviewing) is an ongoing subject of conversation. Kash Goins isn’t just talking about it. His GoKash Productions has produced a series…