Sensitive Guys InterAct review

SENSITIVE GUYS (InterAct): Satirizing the dialectic of sex

What’s being satirized in this social satire? Good question, with several answers.

Les Miz preview

Talking ‘Bout A Revolution: Thoughts on seeing LES MIZ at the Academy

Thom Nickels contemplates revolution after seeing LES MIZ at the Academy

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A DOLL’S HOUSE (Arden): Ibsen for our times

A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.

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COPENHAGEN (Lantern): Observable quantities

I suspect that among the reasons COPENHAGEN has been so successful is that it invites us to believe that we are smarter than we actually are

PAssing Strange Wilma Theater

PASSING STRANGE (Wilma): A worthwhile caricature of art

The performers leave a bright impression in a play that’s a caricature of life and art,

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Theater in Sketch: MORNING’S AT SEVEN (People’s Light)

Paul Osborne’s 1939 comedy gets a new production in Malvern, PA.

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URBAN MEADOW (BodyVox): Keeping Philadelphia weird

Comprised of twelve live pieces and two short films, URBAN MEADOW celebrates BodyVox’s 20th Anniversary and the variety of work they produce.

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Theater in Sketch: A PROUST SONATA (Da Camera at FIAF)

Sketch artist Chuck Schultz visited Manhattan to see a Houston company’s concert-theater interpretation of In Search of Lost Time.

Network for New Music

VISUAL MUSIC (Network for New Music at the University of the Arts): Art in music

Out of the ordinary, but a delight to experience.

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Tiger Players: Philadelphia Asian Performing Artists present its first full production

This month, PAPA seeks to solidify its presence in the city with its first full production, Tiger Style! by Mike Lew.

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Theater in Sketch: Previewing TIME REMEMBERED (IRC)

I’ve been sitting in on some of the absurdist theater company’s rehearsals, sketching and liking what I see.

Lovers

YOU CAN’T TAKE IT WITH YOU (Allens Lane): Zany homespun fun

A visit with the eccentric Sycamore family is always a warm adventure in zaniness

Baskerville Walnut Street review

BASKERVILLE: A SHERLOCK HOLMES MYSTERY (Walnut Street): Ken Ludwig’s version turns the story on its head

An ancestral manor, a family curse, a fiend: Ken Ludwig’s version turns this Sherlock Holmes story on its head.

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[music review] Mélomanie at Saint Clements with soprano Clara Rottsolk

The eclectic chamber group Mélomanie presented some of their characteristic “provocative pairings of early & contemporary works” in Saint Clement’s Church on Saturday

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LES MISERABLES (National Tour at Academy of Music): A vibrant retelling of the classic Victor Hugo novel

Thirty-two years ago, the other popular Broadway shows were A Chorus Line, Footloose, and Little Shop of Horrors. Unlike these musicals, LES MISERABLES has never really left the public conscience.

Colleen Corcoran and Marisol Custodio in ALL THE DEAD BIDDLES. Photo by Shelli Pentimall Bookler.

ALL THE DEAD BIDDLES (Underbite Theatre Company): Looks at life after death through lens of dark humor

Underbite Theatre Company handles a tough topic wiith searing insight and sensitivity.

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2018 Theater Preview: 11th Hour Theatre Company

For 2018, 11th Hour Theatre Company continues two series of one-off productions and presents a full main stage production of a world premiere musical.

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Frankenstein’s Author: Jennifer Summerfield on her new show MARY SHELLEY

This month, actor Summerfield showcases another side of her talents with MARY SHELLEY, a solo performance she created for rare book museum the Rosenbach.

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2018 Theater Preview: Quintessence Theatre Group

Quintessence Theatre Group of Mount Airy produces contemporary stagings of classic theatrical works.

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PABLO HERAS-CASADO RETURNS (Philadelphia Orchestra): Old and new

Although Spanish guest conductor has led the Philadelphia Orchestra once before, in 2016, he is a relatively new face for the Philadelphians.