“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow…
Roundabout Theatre Company’s Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9
Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style.
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1)
Interview with J.T. Rogers on the journey from PlayPenn to Broadway.
IRONBOUND takes place outside of a bus stop in front of a factory in New Jersey.
Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters
So what does this genius look like?
Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.
SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
Local playwright Josh Hitchens has interpreted a Civil War story by Louisa May Alcott.
The Berserker Residents take us back to school
Every aspect of TORUK is simply breathtaking and astonishing.
Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.
Shakespeare made simple, and simply fun.
The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
Former PlayPenn interns come into their own as theater professionals.