The InterAct Theater goes behind the scenes of a working kitchen

This temporal moment is an instant visual image that leaves us with something once the performance is over.

Author’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling. These elements often work to…

A gripping solo play that asks tough questions and rejects easy answers

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

Jerry’s Girls. April 4-July 2, 2017. Walnut Street Theatre, 825 Walnut Street. $35-$40. walnutstreettheatre.org The Light Princess by Tony Lawton and Alex Bechtel. April 5-June 2, 2017. Arden Theatre Company, 40 N. 2nd Street. $18-$36. tickets.ardentheatre.org Brighton Beach…

Scene one is hilarious; scene two wipes the smile right off your face.

Brian Friel the Irish Chekhov.

A great play for history buffs and hibernophiles.

Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.

Another take on the Arden’s GYPSY

Martello shines in an otherwise confused production of this classic musical.

2018 is Leonard Bernstein’s centenary, and theaters around the country are programming his greatest works in his honor. Delaware County’s Media Theatre has taken the safe approach of presenting perhaps…

Rebecca Wright brought out the cute and cuddly demeanor of the cast while still driving home a deep dark message

Celia Reisman transforms American suburbs into landscapes of the mind in four stages.

A play for people who need to be told how to feel.

If you like your gay stories trite and tragic, this is the play for you.

It’s been a banner month for local playwright Jacqueline Goldfinger.

The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert’s novel (read the Phindie review). Aetna Gallagher, Andrew Blasenak,…

“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”