George Balanchine’s THE NUTCRACKER (PA Ballet): Much more than a holiday tradition
A brilliant NUTCRACKER shows the company’s heightened artistry.
ON THE EXHALE (Theatre Exile): A one-woman show handles a loaded issue
Martin Zimmerman’s visceral, thoroughly modern, elegant one-woman show inspired by the tragic 2012 Sandy Hook Elementary School mass shooting.
To the Core: InterAct’s residency program culminates in four free readings
InterAct’s 2018/19 Core Playwrights Program culminates in a series of free readings showcasing the work of four local playwrights.
SPONGEBOB THE MUSICAL (Forrest Theatre): An Unlikely Hero
Philadelphia gets a visit from Bikini Bottom in Spongebob the Musical.
LITTLE JOE (dir. Jessica Hausner): Film review
A high concept, a solid design, and more than a few creepy moments rooted in existential terror, but struggles to fill a feature-length run-time
On Target: Matt Pfeiffer talks about directing ON THE EXHALE
Director Matt Pfeiffer talks about directing a one-actor play about gun violence
LITTLE RED ROBIN HOOD (People’s Light): What is a panto?
Takeaway: Bring your kids to this unique Philadelphia area tradition!
[nyc] A New(ish) EVITA at New York City Center
Director Sammi Cannoid brings a lot of thought to the Webber/Rice juggernaut EVITA. Can the show’s libretto handle it?
Top Secrets of Passing Microsoft 70-740 Exam: Do Exam Dumps Help?
Most employers in the world rely on IT professionals with validated tech knowledge and skills.
Philadelphia Theater Calendar December 2019
Philadelphia theater calendar for December 2019
Neal Zoren’s Plays to See in Philadelphia This December
Previewing December theater in Philadelphia
Comedy in Sketch: YOUR SUNDAY BEST
An awesome recurring show with a line up of comedians and comic performers
[nyc] SLAVE PLAY (Golden Theatre): Process this!
Jeremy O. Harris’ brilliant SLAVE PLAY is designed to shock, provoke, and trigger. It succeeds on all fronts.
AN ILIAD (Arden): Rage returns to Ilium
A bold, visceral performance giving the strong script its due.
[nyc] YOUNG MAN FROM ATLANTA (Signature Theatre): Times change
The style—despite a major cast—might be best described as wooden realism
PLAYING AND PRESERVING (Astral Artists, Play on Philly, Partners for Sacred Spaces): Beautiful music at St. Mary’s, Hamilton Village
Free family-friendly classical music
[nyc] PUMPGIRL (Irish Repertory Theatre): Things are fine in Irish drama
Everywhere you turn, there’s another Irish play, and each seems better than the last.
