A play which powerfully purveys distinct, upfront viewpoints and perceptions unlike any other medium.

I say women were “placed” in these roles when what I really mean is “stuffed.”

Sketching the orchestra

What’s onstage in Philadelphia theater in March 2019?

Being an art critic is all about interpreting and reviewing a piece of art so that you can get to the core of what the artist is trying to say.

Lukas James Miller takes on the role of his dreams as Topher in Rodgers + Hammerstein’s Cinderella.

Eri Yoneda speaks with the artistic director of PA Ballet about his new production of Giselle.

A long-form interview with playwright Doug Williams.

Chuck Schultz reviews Idiopathic Ridiculopathy Consortium’s DREAM GIRL in sketch and words.

I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in my entire life. Yes, Johnny…

Chuck Schultz gives his thoughts in words and sketch

Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT’S DREAM.

A performance that combines live improv with D&D for a uniquely hilarious fantasy epic

Benjamin Britten’s music still sounds wonderfully imaginative and modern

With BOX CLEVER, Inis Nua has done the impossible: make bureaucracy theatrical.

Idris Goodwin’s play shows how compromise and dialog work better than insults and labels

Chuck Schultz sketches Martha Graham Dance Company at the Annenberg Center.

Longform interview with Alice Yorke of Lightning Rod Special

Angela Harmon reviews the new movie by director Emma Forrest.

What’s onstage in Philadelphia theater in February 2019?