MADAME OVARY (Inis Nua): Theater or therapy?
Madame Ovary is a staged memoir about a young woman who survived cancer; it is the fourth female solo show opening just this week:
View More MADAME OVARY (Inis Nua): Theater or therapy?[NYC] TRANSLATIONS (Irish Rep): Searching for clues
The danger with a Brian Friel play is charm. No stage Irishmen here at Irish Rep’s production, no comical drunkenness. Another danger, especially in a…
View More [NYC] TRANSLATIONS (Irish Rep): Searching for cluesTHE ELEPHANT IN THE ROOM (Azuka): Impassioned and interesting sidestepping
In a world full of rooms which are full of elephants, a lot of sidestepping is required of us all.
View More THE ELEPHANT IN THE ROOM (Azuka): Impassioned and interesting sidesteppingCAMP SIEGFRIED (Theatre Exile): An unlikely love story
Love happens, even in a setting dedicated to concentrated evil, as an American girl becomes a fierce Nazi uber-princess.
View More CAMP SIEGFRIED (Theatre Exile): An unlikely love storyWHAT THE CONSTITUTION MEANS TO ME (Arden): A witch’s cauldron of sometimes magic
Even the most hallowed document is no match for a teenage girl, as Heidi Schreck reveals in her play, What the Constitutions Means to Me.…
View More WHAT THE CONSTITUTION MEANS TO ME (Arden): A witch’s cauldron of sometimes magicLife in Oz: Interview with Celia Hottenstein in WICKED
Actress Celia Hottenstein has taken on the role of Glinda in the national tour of Wicked. The musical sensation is the 4th longest running Broadway…
View More Life in Oz: Interview with Celia Hottenstein in WICKEDSinging Sondheim: Interview with Beth Stafford Laird in COMPANY
Beth Stafford Laird is no stranger to life on the road. The actress, who grew up in Wayne, PA, counts COMPANY as her fifth national…
View More Singing Sondheim: Interview with Beth Stafford Laird in COMPANYWinners of the Philadelphia Film Festival Awards
The Philadelphia Film Society announced the award winners for the 32nd Philadelphia Film Festival after the local premiere of Sly (a documentary on the career…
View More Winners of the Philadelphia Film Festival AwardsSpectacular Strauss (Curtis Symphony Orchestra): Germanic overtures
Is it possible for a composer to be too German? Sure, the deeply problematic Wagner has long cornered the market on gratuitous Teutonic mythmaking, but it’s his…
View More Spectacular Strauss (Curtis Symphony Orchestra): Germanic overturesTHE HOLDOVERS (dir. Alexander Payne): Philadelphia Film Festival review
Alexander Payne, purveyor of fine vibes, might be softening up.
View More THE HOLDOVERS (dir. Alexander Payne): Philadelphia Film Festival reviewFINGERNAILS (dir. Christos Nikou): Philadelphia Film Festival review
Fingernails beckons anyone who has ever claimed love is torture and calls their bluff.
View More FINGERNAILS (dir. Christos Nikou): Philadelphia Film Festival review[NYC] MERRILY WE ROLL ALONG (Hudson Theater)
This is vintage Sondheim, the unimaginable flop now on Broadway again, restored to its dazzling, heart-wrenching brilliance. Merrily We Roll Along has been called his most personal,…
View More [NYC] MERRILY WE ROLL ALONG (Hudson Theater)NO EXIT (Quintessence): A new translation of a hellishly absurd classic
Quintessence Theater’s founding artistic director Alex Burns, has written a new translation from the original French
View More NO EXIT (Quintessence): A new translation of a hellishly absurd classic[NYC] PURLIE VICTORIOUS (Music Box Theatre): A Non-Confederate Romp Through the Cotton Patch
Ossie Davis’s brilliant and hilarious play is part vaudeville, part sermon. And if preaching is theater, theater is preaching. And the lesson is that “faith…
View More [NYC] PURLIE VICTORIOUS (Music Box Theatre): A Non-Confederate Romp Through the Cotton PatchASSASSINS (Arden): A celebration of psychopaths
The wall of the F. Otto Haas Stage features pictures of targets and X’s for murdered presidents. Starting with John Wilkes Booth’s killing of Abraham…
View More ASSASSINS (Arden): A celebration of psychopathsThe Making of a King: Lucas Pastrana in ELVIS
Lucas Pastrana is preparing to make his Walnut Street Theatre debut in Elvis- A Musical Revolution. The actor, who is playing the role of Elvis,…
View More The Making of a King: Lucas Pastrana in ELVISTARTUFFE (Lantern): Delightfully over-the-top
Before he became a celebrated playwright, Jean-Baptiste Poquelan was a poor thing in a touring shoestring theater company. Although he had wanted to be a…
View More TARTUFFE (Lantern): Delightfully over-the-topMaking Music: Interview with Philadelphia Ballet Orchestra’s Beatrice Jona Affron
Beatrice Jona Affron is celebrating her 30th year with the Philadelphia Ballet (formerly Pennsylvania Ballet.) The music director and conductor joined the company in 1993…
View More Making Music: Interview with Philadelphia Ballet Orchestra’s Beatrice Jona AffronFringe in Sketch: CYBORG DREAMS (Curt Haworth Movement and Performance)
The piece lands in the not-so-distant future, when humans have evolved with their technology to become one. This is a nonlinear journey through the reimagined…
View More Fringe in Sketch: CYBORG DREAMS (Curt Haworth Movement and Performance)That’s Fetch: Interview with MEAN GIRLS’ Natalie Shaw
Natalie Shaw grew up in Fargo, North Dakota and started her musical theatre training at an early age. After finishing her degree at the University…
View More That’s Fetch: Interview with MEAN GIRLS’ Natalie Shaw