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Theater in Sketch: HOW TO USE A KNIFE (InterAct)

The InterAct Theater goes behind the scenes of a working kitchen

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Dance in Sketch: Anne-Marie and Dancers Company

This temporal moment is an instant visual image that leaves us with something once the performance is over.

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HIR (Simpatico): We are all everything

Author’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling. These elements often work to…

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DOGS OF RWANDA (InterAct): We are witnesses

A gripping solo play that asks tough questions and rejects easy answers

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THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati

The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.

Philadelphia Theater Calendar June 2017

Jerry’s Girls. April 4-July 2, 2017. Walnut Street Theatre, 825 Walnut Street. $35-$40. walnutstreettheatre.org The Light Princess by Tony Lawton and Alex Bechtel. April 5-June 2, 2017. Arden Theatre Company, 40 N. 2nd Street. $18-$36. tickets.ardentheatre.org Brighton Beach…

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HOW TO USE A KNIFE (InterAct): A sharp new play

Scene one is hilarious; scene two wipes the smile right off your face.

Stephanie Iozzia and Ethan Lipkin in MAKING HISTORY. Photo by Carlos Forbes.
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MAKING HISTORY (Irish Heritage Theatre): A very human Irish history play

A great play for history buffs and hibernophiles.

Galen Kane and Quincy Tyler Bernstine. Photo By T. Charles Erickson

Quincy Tyler Bernstine in INTIMATE APPAREL: Stalwart supporting actor gets chance to shine

Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.

Veronica Nardo (left) and Caroline Dooner in GYPSY at Arden Theatre Company through June 25th.  Photo by Mark Garvin.

GYPSY (Arden): A self-aware musical

Another take on the Arden’s GYPSY

Photo by Mark Garvin.

GYPSY (Arden Theatre): Mary’s turn

Martello shines in an otherwise confused production of this classic musical.

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WEST SIDE STORY (Media Theatre): 60-second review

2018 is Leonard Bernstein’s centenary, and theaters around the country are programming his greatest works in his honor. Delaware County’s Media Theatre has taken the safe approach of presenting perhaps…

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Theater in Sketch: PEACEABLE KINGDOM (Orbiter 3)

Rebecca Wright brought out the cute and cuddly demeanor of the cast while still driving home a deep dark message

"Tall Trees Night" by Celia Resman. Part of her exhibition A Moment Noticed at Gross McCleaf Gallery

Utopias on the Outskirts: Celia Reisman’s suburban landscapes at Gross McCleaf Gallery

Celia Reisman transforms American suburbs into landscapes of the mind in four stages.

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BRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtick

A play for people who need to be told how to feel.

James Lecesne in THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY. Photo by Matthew Murphy.

THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY (PTC): Just another queer tragedy

If you like your gay stories trite and tragic, this is the play for you.

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Local playwright makes good: An interview with Jacqueline Goldfinger

It’s been a banner month for local playwright Jacqueline Goldfinger.

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Theater in Sketch: THE MASSIVE TRAGEDY OF MADAME BOVARY (Curio)

The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert’s novel (read the Phindie review). Aetna Gallagher, Andrew Blasenak,…

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It Doesn’t Take a Man: Getting to the Bottom of A MIDSUMMER NIGHT’S DREAM

“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”