Traverse a culinary landscape marked by family memories and ancient myth

In this world, space isn’t the final frontier. It’s the California desert post-gold rush.

Henrik Eger considers PTC’s Sweat, Walnut’s Holiday Inn, and the state of American culture.

Dan Scully reviews the latest movie from the director of The Lobster.

Like all good thrillers, THE GUILTY weaves in current issues from the real world,

Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.

Never underestimate the power of taking away the lights. Then anything might be there in the dark.

The thrill of a big show-biz production and the feeling of authenticity

Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for movies like The Room tend…

A film with a concept you didn’t know you needed

EgoPo Classic Theater is looking at the South African region to consider the geographical mysteries and beauty of African culture.

Actions you can take since you’re upset with theater criticism in Philadelphia.

The best films are those which afford the viewer an inside look into a life experience different from their own

Based on a Murakami short story, BURNING clocks in at 148 indispensable minutes.

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

Mario Lopez and Daphne Rubin-Vega lead a group of Broadway performers lending their voices to a new “Get Out the Vote” music video

A conversation between James Baldwin and Margaret Mead

Virtuosio athletic feats are offset with the fragility of humanity and the inevitable risks of passion and love.

An anticipated cultural attraction opens along the Delaware River.

Sketches of the Phantom of the Opera sequel.