Colin Quinn

Arrogantly profiling American history: An interview with Colin Quinn, starring at the Philadelphia Theatre Company

Let me say it up front: Unconstitutional, running through July 6th at the Philadelphia Theatre Company, is a tour de force stronger than the Tour de France.

The famous Quinn, familiar to Saturday Night Live fans, presents his observations on the quirks of life in the U.S. at such a neck-breaking pace that I thought I was participating as a bidder at an auction, where the auctioneer speaks at world record speed so that I, as one of his “bidders,” was unsure at times if I was buying or not. So as not to miss his many powerful insights, wrapped in highly addictive humor, I was forced to listen carefully. And listen I did.

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WILD WITH HAPPY (Center Stage, Baltimore): All That and More!

Cathartic, camp, and euphorically uplifting, WILD WITH HAPPY—Philadelphia native Colman Domingo’s madcap adventure with death and grief, love, loss, and sexuality—keeps you laughing while tugging at your heartstrings and ardently reaffirming the joy of life. That’s quite an accomplishment, and Center Stage’s Baltimore premiere is quite a production.

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James Ijames

Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames

“You will be broken and put back together again,” as one theatregoer commented on Facebook.

Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.

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Philly Performing Artists Discuss their Untenable Careers: Video from the Philadelphia Artists Summit

Josh McIlvain’s interview with Charlotte Ford “The untenable career of a successful Philadelphia theater artist” sparked some soul-searching among Philadelphia performers. They met on June 23rd to discuss.

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Plato's Porno Cave: The Trial, Little Berlin, Marshall James Kavanaugh and Augustus Depenbrock

Plato’s Porno Cave: The Trial (Little Berlin): Surrealist party, imagery orgy

To the left of the pyramid was a little shanty you could enter and perform a primal scream. A glass window on either side faced in on a small chamber with an apple and, if you hit the right decibel with your scream, the apple would explode. The mechanism for blowing up the apple failed pretty quickly (it worked a few times before the forces of chaos seeped into the mechanism), but that didn’t stop the crowd going in and screaming periodically while the Eye played master of ceremonies from his pyramid throne.

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Annie Henk, Jered McLenigan, David Bardeem in RITU COMES HOME. Photo by Kathryn Raines

RITU COMES HOME (InterAct): Two gay men who practice Safe Charity become parents

Jason (David Bardeen) and Brendan (Jered McLenigan) ease the paucity of Ritu’s (Rebecca Khalil) existence by sending monthly checks through an aid organization. The last thing in the world they’d ever expect would be for their charity case to show up in their living room.

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What Sanity by Chelsea Murphy, Alex Romania, and Magda San Millan

SOLOW FLASH INTERVIEWS 2014, EPISODE EIGHT: DUO OF GROSSNESS, TRIO OF MADNESS

In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.

Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.

A big pile of sand.

SoLow is like a sandbox.

To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

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