PA Ballet’s Roy Kaiser discusses his retirement at City Institute Library series

Pennsylvania Ballet is finishing their 50th Anniversary Season with victory lap programming, but it has played out as more than just a milestone date, but a distinct turning point for the company‘s future.

BODY Play by Kaycee Filson

SOLOW FLASH INTERVIEWS 2014, EPISODE ELEVEN: CHRIS DAVIS, CORINNA BURNS & KAYCEE FILSON

In this final episode, we talk about people talkin’ ‘bout bodies in West Philly and a double-bill: dark skies and stalkers in South Philly.

Asaki Kuruma on Writing, Immigration, and the Racial Dynamics of Philadelphia Theater

“It’s really hard to do acting and make a living unless you’re really good—and a Caucasian man.”

The Happiest Dance Company in Town: BalletX does Pharrell Williams “Happy”

Pharrell Williams’s song “Happy” spawned a slew of tribute videos from across the world, and BalletX has made the quintessential Philly version. The four-minute video shows their talented dancers, company…

SIGN FELT! (a show about nothingness) by Alexandra Tatarsky

SOLOW FLASH INTERVIEWS 2014, EPISODE TEN: ALEXANDRA TATARSKY, CINDY SPITKO and JOY CUTLER

In episode ten, we’ve got nothingness Goethe in a secret secret place, grief clowning in West Philly, and autobiographical anatomy in Rittenhouse.

Paper Mustache (Or, Helix) by James Haro

SOLOW FLASH INTERVIEWS 2014, EPISODE NINE: THOMAS CHOINACKY, SARAH VAN AUKEN & JAMES HARO

In the SoLow Fest this year, some 30+ artists are creating cheap cheap theater in formal and informal spaces around the city. Challenging the idea that budget = quality, artistic…

MISSED CONNECTIONS & OTHER CURIOSITIES (Simpatico): A Craigslist cabaret

There’s a wonderful movement these days in the Philadelphia theater world to give voice to our younger generation. Dwindling arts funding, as well as the Fringe’s ineffectiveness as a vehicle…

Plato's Porno Cave: The Trial, Little Berlin, Marshall James Kavanaugh and Augustus Depenbrock

Plato’s Porno Cave: The Trial (Little Berlin): Surrealist party, imagery orgy

To the left of the pyramid was a little shanty you could enter and perform a primal scream. A glass window on either side faced in on a small chamber with an apple and, if you hit the right decibel with your scream, the apple would explode. The mechanism for blowing up the apple failed pretty quickly (it worked a few times before the forces of chaos seeped into the mechanism), but that didn’t stop the crowd going in and screaming periodically while the Eye played master of ceremonies from his pyramid throne.

Annie Henk, Jered McLenigan, David Bardeem in RITU COMES HOME. Photo by Kathryn Raines

RITU COMES HOME (InterAct): Two gay men who practice Safe Charity become parents

Jason (David Bardeen) and Brendan (Jered McLenigan) ease the paucity of Ritu’s (Rebecca Khalil) existence by sending monthly checks through an aid organization. The last thing in the world they’d ever expect would be for their charity case to show up in their living room.

What Sanity by Chelsea Murphy, Alex Romania, and Magda San Millan

SOLOW FLASH INTERVIEWS 2014, EPISODE EIGHT: DUO OF GROSSNESS, TRIO OF MADNESS

In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.

Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.

A big pile of sand.

SoLow is like a sandbox.

To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

Beautiful woman in row g [29] (Philadelphia): Simpatico presents craigslist themed MISSED CONNECTIONS AND OTHER CURIOSITIES

You can tell a lot about a city by looking through its craigslist pages. Jobs, apartments, M4W, rants: it’s all there. An exploration of wants and needs, longing and loneliness,…

You’re not in Kansas anymore: Photos from The Cabaret Administration’s OF OZ

Following its traditional adaptations of The Nutcracker and Frankenstein, The Cabaret Administrion undresses Frank Baum’s children’s classic in a spectacle of ballet and burlesque. Director Anna Frangiosa and choreographer Christine…

Photo by Ashley LaBonde.

WICCANS IN THE HOOD / TRADING RACES (Brainspunk): Let’s talk about race, baby

Brainspunk Theater keeps the conversation on race going with a pair of one-acts by Kansas City writer Michelle T. Johnson, WICCANS IN THE HOOD and TRADING RACES: FROM RODNEY KING TO PAULA DEEN.

untitled commission by Kevin Meehan.

SOLOW FLASH INTERVIEWS 2014, EPISODE SEVEN: KEVIN MEEHAN, AMELIA CHARTER & ELIZABETH WHITNEY

SoLow is about play.

There are some plays in it.

There are some . . . things . . . in it which are not plays.

But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.

To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

SEX, DRUGS, ROCK & ROLL (Plays & Players): 60-second review

In SEX, DRUGS, ROCK & ROLL, Eric Bogasian’s revolving cast of characters—an aging rock star, a homeless bottle man, an 80s yuppie, and a handful of others—have little in common except their masculine hedonism.

Full House 2014 - Michael L Medvidik

Full House (Quince): You deserve a cabaret!

Downtown theater company Quince Productions – the punchy, LGBTQ-leaning bunch that puts on GayFest! every August – opens their sixth annual Full House cabaret series this Thursday in its ancestral home, the Red Room at the Society Hill Playhouse, and it’s looking as wicked, delightful and boozy as ever. (Boozy because your ticket includes the price of a drink.)

Thierry Santine as Martin Luther and Richard Chan as MICHAEL THE REBEL.

MICHAEL THE REBEL (Humble Treasure): Tearing up the German Society library

Director Manon Manavit had not heard of Heinrich von Kleist when she found a copy of his Michael Kohlhaas on a street in Montreal. It’s easy to understand why she was attracted to the text.

escape clause by Robert Gross and Julius Ferraro

SOLOW FLASH INTERVIEWS 2014, EPISODE SIX: STEVEN WEISZ, MELISSA RAUB & ROBERT GROSS

SoLow is lo fi.

SoLow is lo stress.

SoLow is lo budget.

SoLow is happening, and to give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This episode we have modern dance in center city, astral projection installation performance in Kensington, and #sexualharassment on #Twitter.

Tom Stoppard's The Real Thing at The Wilma

THE REAL THING (The Wilma): Exquisite dialogue shines through spotty production

Tom’s Stoppard’s dramedy THE REAL THING is set on a constantly evolving stage transforming into different locations in the UK during the early 1980s. Sky-high walls disappear, doors emerge out of nowhere, and scenes fluidly fold into the next with the help of nimble cast and crewmembers. First off, a man sits building a house of cards in a perfectly done up living room, while awaiting his wife’s return. The card house collapses with her sudden entrance, as does their marriage when he confronts her with the passport she left behind – on her trip out of the country. The whole scene feels rather put on, and the fake English accents don’t help.

Promotional image for New City Stage Company’s WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE by Voices for a New City Ensemble (Photo credit: Courtesy of New City Stage Company)

WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE (New City): A New Perspective on First Families

New City Stage Company’s West Wing Festival on presidential politics concludes with a satirical take on the past and future occupants of the White House. Imaginative, amusing, and cynical, it considers how their private relationships and distinctive personalities might have impacted our history and could influence world affairs.