The Bearded Ladies and Opera Philadelphia present Stage 2 in the development of Warhol-inspired ANDY: A Popera

Wednesday, July 16th, The Bearded Ladies and Opera Philadelphia will lay down stakes in the lobby of the Wilma Theatre, and, for two short weeks, perform an hour-long cabaret inspired by the outrageously influential life of Andy Warhol. Featuring original music by Heath Allen.

Herringbone at Flashpoint Theatre Company

HERRINGBONE (Flashpoint Theatre Company): A remarkably strange solo musical, about a boy … with a problem

This mighty peculiar story opens with a grown up George looking back at 1929 and singing, “Did ya ever have one of those years?” His parents have one foot in the poorhouse, as their only prosperous relative has just stinted them in his will. When eight-year-old George has the chance to take performance lessons from the surviving member of an old vaudeville act, he shows inexplicable ability beyond his years. Parental hopes for financial resurrection ride on little George singing and dancing his way to Hollywood.

Clio (Erica Nicole Rothman, center) with her sister Muses in Mazeppa Productions’ XANADU (Photo credit: Kelly Anne Pipe Photography)

XANADU (Mazeppa Productions): A Flop of a Film, but a Smash of a Show!

Greek mythology meets roller-disco in XANADU, a spirited send-up of American pop culture circa 1980, based on the preposterous movie of the same name starring Olivia Newton-John. Mazeppa’s exuberant production of the award-winning musical-comedy (book by Douglas Carter Beane, music and lyrics by Jeff Lynne and John Farrar) delivers an uproarious parody of both disco culture and the cult-classic film.

The ensemble of Delaware Shakespeare Festival’s HAMLET (Photo credit: Alessandra Nicole)

HAMLET (Delaware Shakespeare Festival): “’Fore God, my lord, well spoken . . .”

While “Something is rotten in the state of Denmark,” something is wonderful in the state of Delaware! With its unsurpassed examination of the human condition, profound emotions, and exquisitely beautiful language, HAMLET is considered by many (myself among them) to be the world’s greatest play by the world’s greatest playwright.

Sustainability and the Artist

Lately I’ve been thinking about that “worthwhile strategy” in regards to making a living as a theatre artist. Too many of my colleagues can’t afford to get sick, and certainly can’t afford to start a family. An interview with Charlotte Ford (revealing she’s stepping away from theater to go back to school for speech pathology) seems to have sparked a vigorous public debate about how difficult it is to make a living as an artist, and what can be done about it.

Photography by Alexander Iziliaev.; Pictured: Zachary Kapeluck

SUNSET, O639 HOURS (BalletX): Neenan blazes into sunset

With his BalletX summer program SUNSET, O639 HOURS, a long-form narrative ballet, choreographer Matthew Neenan unveiled taps new creative veins, steering clear of all his choreographic safe zones.

The Who Tommy New Cavern

See Me, Feel Me: New guys New Cavern rock out THE WHO’S TOMMY

The Who’s 1969 concept album TOMMY kicks ass. It’s a real rockists rock album, from the golden age of British rock. The 1975 movie and 1993 Broadway adaptation capture the dramatic…

Jane Gotch's Let It Fall, a duet for Leo Gayden and Juliet Remmers. Photo by Mike Strong.

Cool Dancing in Warm Spaces: Jane Gotch and Myra Bazell at the Iron Factory

Myra Bazell, a much-loved teacher of dance, and Jane Gotch first met fifteen years ago when Gotch had to scratch together enough change to take Bazell’s popular modern class. The good-vibe feeling between these two choreographers was evident as Bazell explained to the audience of about thirty on a (thankfully) not-too-hot June evening that the Iron Factory was a positive venue for this reunion.

SINema After Hours: One Year Anniversary Show

Campy fun abounds at SINema After Hours. Shoshanna Green reviews a night of sin and scares at Walking Fish Theatre.

THE TWO GENTLEMEN OF VERONA (Pennsylvania Shakespeare Festival): Fickle Love and an Irresistible Canine

Contrasting the giddy inconstancy of youthful passion with the unconditional love for and the stolid fidelity of a pet dog, THE TWO GENTLEMEN OF VERONA—one of the Bard’s earliest works—is a delightful rom-com/bromance (descended from the medieval genre of male friendship literature) that offers the perfect entertainment for a summer audience. And the Pennsylvania Shakespeare Festival’s production, as directed by the ever-masterful Matt Pfeiffer, strikes the perfect balance between the comedy’s irrepressible fun and playfulness and its more serious message about regret, repentance, forgiveness, and camaraderie.

DEATHTRAP (Bucks County Playhouse): A 60-Second Review

One of the most successful plays in Broadway history makes its way to the iconic Bucks County Playhouse. DEATHTRAP is a mystery/thriller (brimming with bleak humor) by Ira Levin (“Rosemary’s Baby). DEATHTRAP is the story of a once-famous playwright Sidney Bruhl (Saxon Palmer) with an enormous case of writer’s block living with his beautiful wife Myra (Angela Pierce) in Connecticut.

Colin Quinn

Arrogantly profiling American history: An interview with Colin Quinn, starring at the Philadelphia Theatre Company

Let me say it up front: Unconstitutional, running through July 6th at the Philadelphia Theatre Company, is a tour de force stronger than the Tour de France.

The famous Quinn, familiar to Saturday Night Live fans, presents his observations on the quirks of life in the U.S. at such a neck-breaking pace that I thought I was participating as a bidder at an auction, where the auctioneer speaks at world record speed so that I, as one of his “bidders,” was unsure at times if I was buying or not. So as not to miss his many powerful insights, wrapped in highly addictive humor, I was forced to listen carefully. And listen I did.

Unemployment

The Ups and Downs of Success: Theater artists between jobs

“There aren’t enough cocktails to help me understand why I continue to be an actor! This shit is for the birds!”

Thus begins the Facebook entry by Joey, a dancer-actor-singer who played many roles along the U.S. east coast, but recently did not get hired for a new musical.

Meet Swarthmore College’s Newest Dance Professor, Gregory King

King’s teaching philosophy utilizes his firsthand knowledge of the different facets of the dance industry to provide his students with a realistic view of life as a professional dancer.

WILD WITH HAPPY (Center Stage, Baltimore): All That and More!

Cathartic, camp, and euphorically uplifting, WILD WITH HAPPY—Philadelphia native Colman Domingo’s madcap adventure with death and grief, love, loss, and sexuality—keeps you laughing while tugging at your heartstrings and ardently reaffirming the joy of life. That’s quite an accomplishment, and Center Stage’s Baltimore premiere is quite a production.

K. O. DelMarcelle and Gina Martino in THE TOUGHEST BOY IN PHILADELPHIA.

THE TOUGHEST BOY IN PHILADELPHIA (Iron Age Theatre): Gender confusion

While THE TOUGHEST BOY IN PHILADELPHIA has something important to say, the material is arranged so carelessly that I’ll be damned if I can tell you what it is.

SoLow Fest: INTERNET STALKER (Corinna Burns) and BORTLE 8 (Chris Davis)

Corinna Burns’ INTERNET STALKER and Chris Davis’ BORTLE 8 is the perfect pairing of “two shows one roof” (not under, but on) in this year’s SoLow Fest. Each writer/performer is…

James Ijames

Freezing one’s laughter mid-stream: THE MOST SPECTACULARLY LAMENTABLE TRIAL OF MIZ MARTHA WASHINGTON by James Ijames

“You will be broken and put back together again,” as one theatregoer commented on Facebook.

Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.

Philly Performing Artists Discuss their Untenable Careers: Video from the Philadelphia Artists Summit

Josh McIlvain’s interview with Charlotte Ford “The untenable career of a successful Philadelphia theater artist” sparked some soul-searching among Philadelphia performers. They met on June 23rd to discuss.

PA Ballet’s Roy Kaiser discusses his retirement at City Institute Library series

Pennsylvania Ballet is finishing their 50th Anniversary Season with victory lap programming, but it has played out as more than just a milestone date, but a distinct turning point for the company‘s future.