Isa St. Clair, Allen Radway, and E. Ashley Izard in THE GLASS MENAGERIE. Photo by Kyle Cassidy.

Kyle Cassidy Photo Essay: THE GLASS MENAGERIE (Commonwealth Classic Theatre)

Kyle Cassidy photographs Commonwealth Classic Theatre Company’s production of Tennessee Williams’s THE GLASS MENAGERIE, now onstage at the Off Broad Street Theatre.

Standing on Ceremony

STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS (Quince), GayFest! 2014.

“What’s really interesting to me is that in just a few years since “Standing on Ceremony” came out, some of the pieces are already ‘period pieces.’ There is, for instance, one piece about two women flying from California to Iowa because marriage is legal in Iowa but not California (it was while Proposition 8 was still making its way through the courts). And the two women are saying things like, ‘Can you believe we live in California and have to fly to Iowa to get married?’ Well that, of course, is no longer the case. So in a way it’s a primer on recent history and an indication of how quickly things change!”

Rethinking Dance Writing

Journalism is fine. Readers are the problem: they don’t demand arts coverage the way sports fans demand sports coverage.

Robert Patrick, image by Andrew Adam Caldwell

“What doesn’t kill me makes a great story later”: Interview with Robert Patrick on the birth of Off-Off-Broadway and 50 years of gay theater in America

Robert Patrick, born into a migrant worker’s family in 1937, wrote many plays, songs, poems and stories. According to the Samuel French script company, he was the most produced playwright in New York City in the 1970s. His two most famous plays are Haunted Host and Kennedy’s Children. He currently lives in L.A. and earns a living writing porn reviews.

Josh Kachnycz as Berowne in LOVE'S LABOUR'S LOST. Photo credit: John Bansemer.

LOVE’S LABOUR’S LOST (Philly Shakes): Cromie finds a feast of language and comedy

Under Aaron Cromie’s creative direction, Philadelphia Shakespeare Theatre’s production of LOVE’S LABOUR’S LOST captures the playfulness of the Bard’s early comedy in a fluid romp.

The entire cast of the Second Annual One-Minute Play Festival at the InterAct, 2014. Photo credit: Seth Rozin.

The Second Annual One-Minute Play Festival (InterAct): Tipsy on Theater: Wine-tasting 90 plays and a night-out in Philly without a hangover

You step off the tour bus, the smell of exhaust replaced first with fresh air, then with the sugary smell of grapes. You sit around a bar with a wine…

Daniel Talbott

Playwright on Playwright: Two charming people interview one another

Daniel Talbott (You Know My Name: A Daniel Talbott Trio) and Kathleen Warnock (Some Are People), two of the playwrights with work in this year’s GayFest!, happen to be old friends and professional colleagues. These two unique personalities interview each other about their participation in Quince Productions’ festival, their writing habits, and a slew of other topics from desserts to dreams.

Philadelphia theater calendar

Philadelphia Theater Calendar: August 2014

January | February | March | April | May | June July | August | September | October | November | December The 2nd Annual Philadelphia One-Minute Play Festival. August 3-5, 2014. InterAct Theatre Company at Adrienne Theater Main Stage, 2030 Sansom Street. interacttheatre.org. << Previous Month :: Next month >> Do…

Quince Productions’ GayFest! kicks off with HEAD OVER HEELS

Philadelphia’s first and largest LGBTQ theater festival, GayFest! by Quince Productions, returns this August 5-23 to Plays and Players Skinner Studio. Opening this year’s festival is the The Bang Group’s HEAD OVER HEELS, a high energy mix of concert dance, slapstick, and musical theater in a cabaret setting. Artistic director and choreographer David Parker took time with me to offer some insights into the dance and his New York City dance ensemble’s interests in creating the piece.

Walnut Street Theatre Studio 5.

The Walnut Street Theatre: Part 2, Crafting a Popular Season

In the second of her three-part series on the Walnut Street Theatre, Katelyn Behrman looks at how the Walnut puts together its season of popular productions, and considers the opportunities presented by the second stage and rented facilities.

Ama Bollinger stars in Chris Davis’s ANNA K (Photo credit: Courtesy of the artist)

Deb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe Festival

Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.

Just plain weirdness: Coming Soon! Mark Mackner talks about the low-budget film scene in Philadelphia

Mark Mackner has been making supernatural thrillers in the underground Philly scene for almost 20 years now. His short film STUMP GRINDER has just been released online. He chats with Phindie about his latest release, the Philly independent film scene and his future goals.

The Walnut opened as a circus theater in 1809.

The Walnut Street Theatre: Part 1, The People’s Playhouse

In the first section three-part series, Kathryn Behrman sits down with Walnut artistic director Bernard Havard and other local theater folk to consider the playhouse’s commitment to popular entertainment.

Deanna Gibson plays one of three witches in the Pennsylvania Shakespeare Festival’s MACBETH (Photo credit: Lee A. Butz)

MACBETH (Pennsylvania Shakespeare Festival): A Minimalist Vision

Director Patrick Mulcahy takes a modernist approach to the Pennsylvania Shakespeare Festival’s production of MACBETH, with a 20th-century minimalist aesthetic that compels the audience to focus on the emotions and actions of the characters and the power of the playwright’s language. It’s stark and intense, and also, at times, oddly anachronistic and comical, performed in attire that suggests a peculiar mash-up of wartime Berlin and dance club chic, military and punk.

The cast of ANDY: A POPERA elevating Sean Lally, who stars as Warhol “expert” Dr. Peter Never (Photo credit: Kate Raines Plate 3 Photography)

ANDY: A POPERA (The Bearded Ladies Cabaret): The Enigma of Warhol

A post-modern fusion of Pop art with opera, ANDY: A POPERA, a work-in-progress by the Bearded Ladies Cabaret, explores the enormous fame and legacy of Andy Warhol, with elements of both tragic opera and opera buffa. The synthesis reflects in part the ambiance of Warhol’s Factory in the Sixties.

Mary Tuomanen and Aimé Donna Kelly in WE ARE BANDITS. Image courtesy of Applied Mechanics.

WE ARE BANDITS (Applied Mechanics): People like us don’t meet

With WE ARE BANDITS, director Rebecca Wright and Applied Mechanics are working against a brutal opponent: American cynicism.

They’ve turned the third-floor space of Asian Arts Initiative into what looks like a sprawling, minimalist installation piece. Tables, chairs, and little else delineate various spaces throughout the basketball-court-sized venue, including a city square, the apartments of various characters, a rooftop, and a church.

Promotional image for ANDY: A POPERA by The Bearded Ladies Cabaret (Photo credit: Design by Flying Hand Studio, photo by Kate Raines Plate 3 Photography, Make-Up by Rebecca Kanach)

15 Questions in 15 Minutes with John Jarboe

The Bearded Ladies extend their proverbial 15 minutes of fame this week with the opening of their cabaret residency of ANDY: A POPERA in the lobby of the Wilma Theater,…

Clio (Erica Nicole Rothman, center) with her sister Muses in Mazeppa Productions’ XANADU (Photo credit: Kelly Anne Pipe Photography)

XANADU (Mazeppa Productions): A campy, aMUSEing musical

Zeus has decreed that Muses from Mount Olympus are not allowed to fall in love with mortals – that includes the Muse Clio and a boy from Venice Beach. Therein lies a story of forbidden love, gumption, and sly swipes at certain Hollywood movies — especially XANADU (Universal Pictures, 1980).

Sebastian Cummings talks about LIFE ON THE FRINGE

Sebastian Cummings has always been a little edgy. A military brat, a black man in the white suburbs, a Jamaican American in African American black society, a gay actor in a straight-role world—throughout…

Danny Gardner as Johann Martin Steindorff in BACH AT LEIPZIG at People’s Light (Photo credit: Mark Garvin)

BACH AT LEIPZIG (People’s Light): 60-second review

People’s Light & Theatre Company pairs Itamar Moses’s uber-witty historical farce BACH AT LEIPZIG with the zaniness of director Pete Pryor in a hilarious, intelligent production.