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ONE MAN’S TRASH: A CABARET ABOUT TREASURE (Tiny Rocks): 2018 Fringe review

The show is basically a pirate-themed excuse for these two twee indie folkies to sing their songs of love and independence.

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AN UNOFFICIAL UNAUTHORIZED TOUR OF LOVE PARK (Rose Luardo/Kate Banford): 2018 Fringe review

The piece gets its appeal from the increasingly outlandish characters and an inventive absurdity that devolves into a game of fetch and walking construction barrels.

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ECCENTRICITIES and random notes on Tennessee Williams

Tennessee Williams slept with my boyfriend’s father. I love saying that at a party.

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German Cabaret in Philadelphia: Interview with Berlin’s Dieter Rita Scholl

Interview with Dieter Rita Scholl, performing in DO YOU WANT A COOKIE?

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Jacob Tischler Stops In Irving Berlin’s Holiday Inn

Jacob Tischler returns to Philadelphia for the song and dance extravaganza, Irving Berlin’s Holiday Inn.

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Fringe in Sketch: P PAN AND BEYOND (Kathleen Murphy)

Chuck Schultz talks to Kathleen Murphy about her Fringe show.

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A VACATION (Poison Apple Initiative): 2018 Fringe review

Dante had Virgil; in the divine comedy of our times, we have a self-absorbed vlogger.

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NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review

A punk-horror Fringe show which engages the audience and keeps the us engaged

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SONG OF MY SELF-CARE (Jimmy Grzelak/PHIT): 2018 Fringe review

Gzelak finds the poetry and the absurd in the mundane.

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Fringe in Sketch: THE PRESENTED (Chris Davis)

This solo show exercised the best part of Davis’s character acting, Chris Davis as Chris Davis. Chris Davis takes us through the process of selling artwork to a producer, working…

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B. FRANKLIN: WORDS MATTER (Vagabond Productions): 2018 Fringe review

An extraordinarily splendid opportunity for an informative and fun visit with Benjamin Franklin

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BEHOLD HER (Half Key Theatre Company): 2018 Fringe review

Publicity for the show focuses on the question, “What is beauty?,” but the show itself goes much deeper.

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Fringe in Sketch: KCBC x KCBC II

A contemporary ballet commenting on society’s perception and expectations of women.

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THE ACCOUNTANT (Trey Lyford): 2018 Fringe review

Do the math. That’s what accountants do, right? The show is 75 minutes long. I looked at my watch about ten times, from which we can deduce by simple arithmetic…

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SONGS OF WARS I HAVE SEEN (Heiner Goebbels): 2018 Fringe review

An imaginatively textured musical performance in which music, sounds, and speaking are of a piece

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CHAOS THEORY (Jessica Creane): 2018 Fringe review

The reliance on audience volunteers yields some interesting moments, framed in a series of games, but too often Creane pushes moments past humor.

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Fringe in Sketch: SONGS OF WARS I HAVE SEEN (Heiner Goebbels)

A bittersweet lament on war’s insidious effects

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CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review

CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put up with.

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AIRPORT OPENED (Brian Shapiro): 2018 Fringe review

AIRPORT OPENED takes you on an enjoyably elucidating human journey well worth experiencing!