Mark Knight, Rob Hargraves, Kirsten Quinn, and Renee Richman-Weisband. Photo credit: Evan Rosen.

ACCOMPLICE (Isis): A Comic Twist on the British Whodunit

The nature of Rupert Holmes’s ACCOMPLICE—a tongue-in-cheek thriller/sex farce/self- referencing spoof of the theater—is to surprise the audience with completely unexpected twists and turns in each scene of its two…

From Callow Young Lover to Successful Playwright: Interview with Eric Conger, writer of BEAUTIFUL BOY

Eric Conger is leaving his mark as a successful new American playwright, whose four produced plays include BEAUTIFUL BOY, the story of a young man’s search for his birth parents. Henrik Eger caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.

We caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.

HOTEL SUITE (Act II Playhouse): A 60-Second Review

HOTEL SUITE highlights the best of Neil Simon’s successful play-turned-movie series including PLAZA, CALIFORNIA, and LONDON SUITES. HOTEL SUITE is a fun, in-your-face, comical view of real life for two…

Philadelphia theater calendar

Philadelphia Theater Calendar: March 2014

March listings of Philadelphia theater.

john rosenberg

A NICE AND FRESH sendoff: John Rosenberg’s last show in Philadelphia

Phindie has been a long-term champion of playwright John Rosenberg and his Hella Fresh Theater. There are pretty much no companies in Philadelphia focused on full seasons of original work, certainly none of the caliber reached in Rosenberg’s best plays, 2013′s Hannah and 2012′s Alp d’Huez.

Photo: Johanna Austin

Egg Cartons, Cotton Candy, and Living Sculpture

Cotton candy for all, toppling egg cartons and cell phones playing songs by P!nk and Ed Sheeran. Miller Rothlein’s newest work, From the Spot Where We/You/I Stand (Stood), invited the audience directly into the performing space. The invisible wall between viewer and performer was broken; human interaction was foregrounded and the viewer was given an active voice in the work.

Tommie Waheed Evans courtesy of PHILADANCO

Tommie Waheed-Evans unveils Aubade

Escaping the winter blues with tour stops in Los Angeles earlier this month touring the James Brown Project, Philadanco’s dancers were back at their home studios in Philly last weekend, rehearsing upcoming performances for their spring series here and an ensemble of five women preparing for a ballet to be performed in Verizon Hall onstage with the Philadelphia Orchestra this weekend.


Free Beer. Have I said enough? Scratch Night returns at FringeArts

For several years now, the FringeArts Scratch Night series has been an in-the-know favorite on the Philadelphia performing arts scene. Each Spring and Summer in the lead up to the Fringe Fest, the organization hosts a monthly event to showcase in the works performances by LAB fellow, Fringe favorites, and other local artists.


The Incredible Shrinking Matt & Jacquie and exciting news from the world of improv

This weekend sees an enticing line-up of non-improv sketches at PHIT’s new home. The Incredible Shrinking Matt & Jacquie perform a variety of offbeat sketches.

THE LADY FROM THE SEA (Egopo): Bare production showcases Ibsen’s mental gymnastics

Henrik Ibsen’s name is so thoroughly canonized in theater history that it’s easy to forget just how progressive the man was as a playwright. Works like A DOLL’S HOUSE are rightly granted…

Join the Battle: Team Sunshine & Immersive Arts Involvement

On their website, Team Sunshine Performance Corporation calls themselves “an unstoppable force for good.” Among other things, they love play fighting and projects that sound insane. In that vein is their current collaboration with Shakespeare in Clark Park, HENRY IV: YOUR PRINCE AND MINE.


Photo Essay: Kyle Cassidy captures DANCING AT LUGHNASA (Curio Theatre)

Photographer Kyle Cassidy is a Philadelphia treasure. He has been documenting American culture since the 1990s, photographing goths, punks, cutters, politicians, metalheads, dominatrices, scholars, and alternative fashion, in addition to…

Mutter Museum Life Between

Life Between the Bones: The Mütter Museum presents its first-ever dance performance

The Mütter Museum, with its macabre glass cases of organs and bones, makes for an unlikely venue for a dance performance. However, this week only, choreographer Jae Hoon Lim takes on the challenge with his new work and master’s thesis, Life Between.

Jered McLenigan as Marc Antony (Photo courtesy of Mark Garvin)

JULIUS CAESAR (Lantern): Political persuasion in feudal Japan

If William Shakespeare was alive today he’d be a …. well, he’d probably be a poet and playwright, but he’d also make a damn good political speechwriter. The crux of his JULIUS CAESAR, now in an accessible production by Lantern Theater Company, comes in a speech following the title character’s assassination.


Seven dancers. 200 Surveys. 4-inch Leather Boots. SORRY, I’M JUST HUMAN.

Sebastian’s dance-music-theater creations draw from each art without being confined to easy definitions. This Saturday’s Sorry, I’m Just Human marks a culmination of two years of choreographic, musical, and theatrical experimentation.

Joe Guzmán and Forrest McClendon in THE TRAGEDY OF JULIUS CAESAR at the Lantern, with set design by Meghan Jones (Photo credit: Mark Garvin)

On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR

Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.

TROUSERS (Inis Nua): The Proof Is in the Pants

In keeping with their native tradition of storytelling, Irish playwrights Paul Meade and David Parnell weave an engaging tale of two estranged men who reconnect and revisit their shared youth…

Susan Giddings (Photo: Johanna Austin)

ONDINE (Idiopathic Ridiculopathy Consortium): At sea with emotional hyperbole

Talented and celebrated director Aaron Cromie teams up with the idiosyncratic Idopathic Ridiculopathy Consortium to tackle French impressionist Jean Giraudoux at the Walnut Street Theatre Studio 5. The play, ONDINE,…


The City of Brotherly Bard: Revolution Shakespeare returns with a show and a webseries

Love sought is good, but given unsought, is better Philadelphia’s newest Shakespeare company, Revolution Shakespeare, will present the second offering of its inaugural season on Tuesday, February 11th at the…

Andrew Carroll, Ama Bollinger, Jerry Puma, and Tina Brock (Photo: Johanna Austin)

ONDINE (Idiopathic Ridiculopathy Consortium): Nature versus Human Nature

When Hans, a handsome but not-so-smart knight-errant of Wittenstein, meets the unbridled naiad Ondine at a fisherman’s cottage in the woods, they fall recklessly in love and marry—a union that…