The simple tricks of the stage awe an audience of CGI-era children, showing that even something as normal as friendship can be magic.
Meehan and Collins use convincing Christopher Walken impressions in an intriguing look at how the fantasies of popular culture provide escape from our lives while they shape them.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
There is a strange, uncomfortable mix of intimacy and isolation at play when a group of people are thrust into total darkness together.
The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?
Did you know you were a member of a secret religious cult? You are, and a meeting has been called to elect a new leader
Written by Welshman Dylan Thomas in the 1950s, A CHILD’S CHRISTMAS IN WALES is every nostalgic Christmas trope with song thrown in, and it’s totally delightful.
“Is this a dance performance or a social experiment?”
HANDLE WITH CARE is brilliantly seasoned with humor—the type found when differing cultures collide.
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.
Philadelphia offers a whole host of Nutcracker productions and other productions that have become holiday traditions.
For their debut production, Susanne Collins and Kevin Meehan looked to one of the most iconic actors of contemporary cinema: Christopher Walken.
If your dancing shoes aren’t quite up to the task, this show will do the trick.