Philadelphia’s best revue of new performing arts returns for another season January 13 and 14, 2017, at Moving Arts of Mount Airy.
Among all these historic joys of 2016, Phindie continued its march as the leading site for independent coverage of Philadelphia theater and arts.
Sleeping Beauty the Musical Panto by Peter Pryor and Samantha Reading expresses an ageless story. It is an artistic exploration into space, time, and sound.
Choral Arts artistic director Matt Glandorf shares a little about the seasonal New Years Eve concert.
Lily Kind uses a recent PA Ballet program to look at what makes a ballet a ballet and what makes a dance a dance.
Oscar Wilde once wrote to a friend that his two books of fairy tales were intended “partly for children and partly for those who have kept the childlike faculties of…
Flash fiction has established itself as a literary genre whose popularity only grows as our attention span shrinks
Chris Davis’s imaginative one-man play gets a deservedly professional staging as part of Tiny Dynamite’s A Play, A Pie, and A Pint series
The Moscow Ballet delivers all that is expected from a first-rate Nutcracker, but there are no surprises.
A great entertainment present for Philly’s Christmas present.
Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.
End this strange year with some high notes as Choral Arts Philadelphia and the Philadelphia Bach Collegium present a rare performance of Bach’s Christmas Oratorio.
It uses the same stage, the same music, and the same settings as previous years, but this year’s NUTCRACKER is even more convincing and more magical than before.
Tony Braithwaite re-enacts a holiday film classic in Act II Playhouse’s THIS WONDERFUL LIFE.
The repertoires PARSONS DANCE present at the Prince have clear themes and stories, yet remain enigmatic and abstract.
Welsh Christmas in Philadelphia: Interview with the cast of Walnut Street Theatre’s A CHILD’S CHRISTMAS IN WALES
A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson
PAC’s current production confirms its reputation as the best adaptor of classic works.