There’s no place like home, and this winter you don’t need to drive very far to learn that lesson again at the Walnut Street Theater’s musical THE WIZARD OF OZ.
Drawing dance is a challenge. It is difficult to capture gesture, for example, because it is always changing. Modern dance provides a new means to an abstracted form of story telling. Each performance left me with a different feeling: bizarre, savage, sweet and tender, sensual, and empowering.
Like other masterpieces of ballet, SUNSET, O639 HOURS grows by itself and lets the dancers grow.
Inis Nua Theatre Company’s 2011 breakout hit DUBLIN BY LAMPLIGHT returns to the stage in partnership with Drexel University’s Mandell Professionals in Residence Project
Female-centric theater group ReVamp Collective presents 12 CHAIRS.
AN AMERICAN IN PARIS’s touring cast includes Philly local Colby Q. Lindeman, a proud graduate of Philadelphia High School for Creative and Performing Arts
Eri Yoneda interviews the lead dancers of BalletX’s popular contemporary full-length
An election comic by Aaron Krolikowski
As a pioneer dancer and choreographer, Martha Graham established the root of modern dance almost single-handedly.
SEX TALK once again turns musical theater tropes into sing-song gropes that will touch you in places only your partner—or favorite presidential candidate—should
Thoughts on two shows, HEISENBERG and VIETGONE, under the auspices of the Manhattan Theatre Club.
Jess Conda joins Sam Tower + Ensemble in an all badass female rock noir cabaret.
What will future theatermakers and scriptwriters make of Donald Trump and his campaign. Ken Brady gets a head start.