One of Germany’s most popular singers launches his North American tour this week.
METRONOME TICKING intertwines the memoirs a Holocaust survivor with the personal letters of an ambitious Third Reich propaganda officer to tell a story of love and empathy in the time of the Holocaust.
Part 2 of Henrik Eger’s interview with Walnut Theatre head Bernard Havard
Henrik Eger spoke to the actors about their roles and the real-life characters behind them.
Henrik Eger greets international Fringe artists.
Henrik Eger interviews the star of Quintessence’s KING LEAR
Henrik Eger thought he knew MOBY-DICK until he saw Robert Smythe as Ahab.
A true story by Margret Hatting, translated from the German by Henrik Eger
Henrik Eger’s entertaining, yet sensitive review of a fun holiday show.
Henrik Eger considers PTC’s Sweat, Walnut’s Holiday Inn, and the state of American culture.
Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.
Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career.
Henrik Eger welcomes Fringe artists and artworks from around the world.
Part 2 of Henrik Eger’s interview with Bob Weick.
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
Before she passed away at the age of just 24, Allison Rickert contributed several delightful articles to Phindie. Henrik Eger offers this personal tribute to a talented writer lost before her time.
In this, the second of a two-part interview (read part one here), Henrik Eger talks to playwright Susan Turlish about her work.
Henrik Eger interviews Peggy Mecham about JUNO AND THE PAYCOCK, the second part of playwright Sean O’Casey’s “Dublin Trilogy”.