Theater

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ASSASSIN (InterAct): Grumpy Professor Review

Although ASSASSIN was directed by Seth Reichgott, InterAct Theatre Company is its producing-artistic director, Seth Rozin, who runs a tight ship. ASSASSIN was okay but it was not enough of a play,…

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60-second review: EQUUS (Curio)

Peter Shaffer’s EQUUS premiered in 1973, and its age shows. A psycho-sexual exploration of insanity, spirituality, and conformity, it continues to appeal to generations of teenagers who identify with Alan…

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60-second review: THE AMISH PROJECT (Simpatico/Renegade)

After a solid run from upstart Renegade Company, THE AMISH PROJECT is getting a revamped co-production with star indie company, Simpatico Theatre Project. Janice Rowland repeats her virtuoso one-woman performance…

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InterAct’s ASSASSIN Hits Hard

Every week there seems to be another news story about the dangers of NFL football. The average career length for an outfield offensive player (running back, wide receiver) is under…

photo by Alexander Iziliaev

ASSISTANCE (Wilma): 60-second review

Cutting close to the bone, Lesley Headland’s ASSISTANCE is a protest, as provocative as Sophie Treadwell’s Machinal (1928), exposing the Darwinian-exploitative nature of the 2013 job market. Irony sucker punched…

Megan Bellwoar (standing) and Mary Martello (seated) as Maureen and Mag Folan in Lantern Theater Company’s production of Martin McDonagh’s THE BEAUTY QUEEN OF LEENANE. Photo by Mark Garvin.

A Darker Emerald Isle: Lantern’s THE BEAUTY QUEEN OF LEENANE

The Lantern Theater Company’s production of THE BEAUTY QUEEN OF LEENANE completes its presentation of Martin McDonagh’s Leenane Trilogy, following 2007’s THE LONESOME WEST and 2011’s A SKULL IN CONNEMARA….

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Sharing a Cerveza with THE DRUNK LION

“My mom always told me to be careful accepting invitations, but how often does a Mexican lion invite you to a cantina?” Philadelphia has bright new playwriting talent in Chris…

Phindie reviewers soberly deliberate a performance.

“Reviewing a Play”

Writing a play review, a brief critical account of an actual performance, involves making an evaluation.

John Douglas Thompson as SATCHMO.

SATCHMO AT THE WALDORF (Wilma): A genius performance by John Douglas Thompson

For some time I’ve read effusive descriptions of John Douglas Thompson’s acting. They are all true—he is an incredible talent. In SATCHMO AT THE WALDORF, now in a brief run at the Wilma Theater, Thompson brilliantly portrays Louis Armstrong, the musician’s hard-nosed talent manager, and other characters, switching diction and mannerism so completely that he seems to inhabit different bodies with each change.

Mary Tuomanen in 2013's Pookie Goes Grenading. Photo by Johanna Austin.

The Filling for Your Existential Doughnut Hole: Azuka’s POOKIE GOES GRENADING

Behind a thick veneer of such entertainingly hilarious absurdity, Azuka Theatre’s world premiere production of J.C. Lee’s POOKIE GOES GRENADING explores the self-serious commitment necessary to produce any works of artistic expression. Lee’s script is theatrical comedy at its best, fast-paced fun with seriously smart dialog and perceptive underpinnings.

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Walking Fish’s PROBLEM CHILD is One To Love

Kensington’s Walking Fish Theatre continues its presentation of George F. Walker’s Suburban Motel series with PROBLEM CHILD. Walker’s cycle features six plays set in the same seedy motel room. Walking…

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Fever Dream’s BEYOND THERAPY Is No Couch Potato

There is something appealing about short theater. A ten to thirty minute play can be unapologetically funny, without aiming for emotional depth or bothering with character development. Watching Christopher Durang’s BEYOND…

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Divided By Faith: Curio Theatre’s THE RUNNER STUMBLES

“At night I wonder how you are feeling, what you think, if you’re happy, if you can sleep. Even when I pray, I wonder what you’re doing. I look up…

photo by Kyle Cassidy

ALP D’HUEZ (Hella Fresh): One couple’s twisting mountain stage

Kensington cops may ask why you’re on rundown Ormes Street, but don’t get rattled: the play happening inside the Papermill Theater satisfies like mom’s chicken noodle soup. Normally as a…

Russ Widdall as RFK.

RFK (New City Stage): Remembering the Turmoil and Ideals of the Sixties

With all the mud-slinging in the current American presidential campaign and negativity about the state of our nation, it is an appropriate time, before the November election, to reflect on…

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Experience an Original Sonic Happening at the Fringe with Found Theater Company’s ELECTRIC JUNGLE

Found Theater Company’s latest foray into the Fringe Festival is everything the Fringe should be: experimental, inventive, boundary-breaking, and thoroughly engaging. Devised by Found’s young ensemble of multi-talented Temple University…

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Treats of the 2012 Philly Fringe: THE GHOST SONATA and THE MAIDS

One of the great things about the Fringe Festival is the opportunity to see independent companies perform works unlikely to be attempted by more established theater groups. This year brought…

Dan Hodge as Adolph and Krista Apple as Tekla in the PAC’s CREDITORS, featuring a sculpture by Roger Wing on the table (Photo credit: David Comdico)

CREDITORS (Philadelphia Artists’ Collective): Everything Great Theater Should Be

August Strindberg’s CREDITORS is a revenge tragedy of classic proportions, a modern descendant of the ancient Greeks and Shakespeare. His unnerving story of a love triangle in late 19th-century Sweden…

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Neighborhood Treats of the 2012 Philly Fringe: Fishtown, Kensington, Northern Liberties

The annual Philadelphia Live Arts Festival and Philly Fringe showcases dozens of local and international performing artists at venues all across the city, but you don’t have to travel very…

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Philadelphia FringeArts Unveils Plans for its New Headquarters

The historic High Pressure Fire Service Building on the corner of Race Street and Columbus Boulevard will have a new life as the permanent headquarters of the Philadelphia Live Arts…