EM Lewis accomplishes two simultaneous intentions—to tell a story theatrically and to spur perspective on guns.
View More THE GUN SHOW (Passage): Let me tell you some stories about gunsCategory: Theater
The best source for independent coverage of Philadelphia theater.
THE DIVORCEES CLUB (Penns Landing Playhouse): Le divorce, c’est dommage
Alil Vardar’s THE DIVORCEES CLUB, a comedy from France, has crossed the Atlantic for its USA premiere at Penns Landing Playhouse.
View More THE DIVORCEES CLUB (Penns Landing Playhouse): Le divorce, c’est dommageBeing Howard Zinn: Interview with Bob Weick, who plays the historian in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)
Henrik Eger interviews Bob Weick, who is taking on the role of the brilliant, if much maligned Howard Zinn in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES.
View More Being Howard Zinn: Interview with Bob Weick, who plays the historian in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)Back on Stage After 12 Years: Deborah Crocker returns for SmokeyScout’s Nice and Fresh January!
Theater, dance, circus, and a return to the stage after 12 years. Nice and Fresh January is supremely accessible performance art.
View More Back on Stage After 12 Years: Deborah Crocker returns for SmokeyScout’s Nice and Fresh January!“This production gives me the chills”: Interview with John Doyle, director of VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)
Henrik Eger interviews John Doyle about Howard Zinn, history, and theater.
View More “This production gives me the chills”: Interview with John Doyle, director of VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)SIZWE BANZI IS DEAD (McCarter): Being a man in apartheid
SIZWE BANZI IS DEAD is genuine work of theater and an authentic, authoritative look at a shameful period of South African history.
View More SIZWE BANZI IS DEAD (McCarter): Being a man in apartheidDOUBT: A Parable (Lantern): Some things are certain
It may be daunting for theaters to produce the original theatrical source for a well-regarded movie, but Lantern Theater Company’s DOUBT shows why some plays are worth reclaiming for the stage.
View More DOUBT: A Parable (Lantern): Some things are certainTHE DANGEROUS HOUSE OF PRETTY MBANE (InterAct): Western sympathies come up against African cruelties
Jen Silverman’s play tells the story of a young woman who has moved to London to escape the dangers of being a lesbian in South Africa.
View More THE DANGEROUS HOUSE OF PRETTY MBANE (InterAct): Western sympathies come up against African crueltiesPRIVATE LIVES (Walnut): Who is being mocked?
PRIVATE LIVES, as written by Coward, is funny because it exposes the savagery that exists beneath the polished façade of the English upper class.
View More PRIVATE LIVES (Walnut): Who is being mocked?THE DANGEROUS HOUSE OF PRETTY MBANE (InterAct): 60-second review
A thrilling, thought-provoking, wonderfully heart-wrenching play now receiving its world premiere by InterAct Theatre Company.
View More THE DANGEROUS HOUSE OF PRETTY MBANE (InterAct): 60-second reviewA LIFE IN THE THEATRE (Walnut): 60-second review
David Mamet’s amusing A LIFE IN THE THEATRE uses the simple interplay of two actors backstage at a repertory company, to talk about life outside the theater.
View More A LIFE IN THE THEATRE (Walnut): 60-second reviewSex on Stage in FEST (FringeArts) and KEIN APPLAUS FÜR SCHEISSE (American Realness [NYC])
What occurs in a theater when sex happens? Ivo Dimchev’s FEST and Florentina Holzinger and Vincent Riebeek’s KEIN APPLAUS FÜR SCHEISSE present two very different looks.
View More Sex on Stage in FEST (FringeArts) and KEIN APPLAUS FÜR SCHEISSE (American Realness [NYC])Pretty Mbane and “Corrective Rape”: Traveling around the world with playwright Jen Silverman
Henrik Eger interviews Jen Silverman about her world premiere play THE DANGEROUS HOUSE OF PRETTY MBANE! and the issues it raises.
View More Pretty Mbane and “Corrective Rape”: Traveling around the world with playwright Jen SilvermanCLOSER (Luna): The sex is neither sensual nor dirty, it’s tactical
Campbell’s production allows us to see the raw humanity in these people—or, in many cases, the lack thereof.
View More CLOSER (Luna): The sex is neither sensual nor dirty, it’s tacticalON THE VERGE (Hedgerow): Self-discovery in the land of the unknown
There are so many layers to uncover in this work. It is a smart and clever piece; more performance art with humor and drama than a traditional comedy.
View More ON THE VERGE (Hedgerow): Self-discovery in the land of the unknownHOT ‘n’ COLE: A Cole Porter Celebration! (Mauckingbird): What a swell party it is
Get yourself a glass of wine and enjoy Porter’s musical repartee and stylish insinuation, the swell costumes, and the sophisticated atmosphere.
View More HOT ‘n’ COLE: A Cole Porter Celebration! (Mauckingbird): What a swell party it isTHE BODY OF AN AMERICAN (Wilma): War lives in all of us
Did anyone anywhere actually believe that being photographed would take away the soul, or is that the kind of ethnocentric nonsense we need good foreign journalism to counter?
View More THE BODY OF AN AMERICAN (Wilma): War lives in all of usNeal Zoren announces his picks for the best in Philadelphia theater, 2014
Each January, local critic Neil Zoren announces his favorite production, direction, and male and female actor and male and female supporting actor for the previous calendar year.
View More Neal Zoren announces his picks for the best in Philadelphia theater, 2014Code of Practice for Theater Critics
the Code of Practice for the International Association of Theatre Critics
View More Code of Practice for Theater CriticsPhindie in 2014: The most-read articles of the past year
The first complete calendar year of Phindie’s existence is almost at a close. This year Phindie published almost 500 pieces on local theater, dance, and other arts. We look back at the articles which you liked the most in 2014. Here are the top ten in various categories.
View More Phindie in 2014: The most-read articles of the past year