Jason (David Bardeen) and Brendan (Jered McLenigan) ease the paucity of Ritu’s (Rebecca Khalil) existence by sending monthly checks through an aid organization. The last thing in the world they’d ever expect would be for their charity case to show up in their living room.
In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.
Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.
A big pile of sand.
SoLow is like a sandbox.
To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
Beautiful woman in row g  (Philadelphia): Simpatico presents craigslist themed MISSED CONNECTIONS AND OTHER CURIOSITIES
You can tell a lot about a city by looking through its craigslist pages. Jobs, apartments, M4W, rants: it’s all there. An exploration of wants and needs, longing and loneliness,…
Following its traditional adaptations of The Nutcracker and Frankenstein, The Cabaret Administrion undresses Frank Baum’s children’s classic in a spectacle of ballet and burlesque. Director Anna Frangiosa and choreographer Christine…
Brainspunk Theater keeps the conversation on race going with a pair of one-acts by Kansas City writer Michelle T. Johnson, WICCANS IN THE HOOD and TRADING RACES: FROM RODNEY KING TO PAULA DEEN.
SoLow is about play.
There are some plays in it.
There are some . . . things . . . in it which are not plays.
But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.
To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
In SEX, DRUGS, ROCK & ROLL, Eric Bogasian’s revolving cast of characters—an aging rock star, a homeless bottle man, an 80s yuppie, and a handful of others—have little in common except their masculine hedonism.
Downtown theater company Quince Productions – the punchy, LGBTQ-leaning bunch that puts on GayFest! every August – opens their sixth annual Full House cabaret series this Thursday in its ancestral home, the Red Room at the Society Hill Playhouse, and it’s looking as wicked, delightful and boozy as ever. (Boozy because your ticket includes the price of a drink.)
Director Manon Manavit had not heard of Heinrich von Kleist when she found a copy of his Michael Kohlhaas on a street in Montreal. It’s easy to understand why she was attracted to the text.
SoLow is lo fi.
SoLow is lo stress.
SoLow is lo budget.
SoLow is happening, and to give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
This episode we have modern dance in center city, astral projection installation performance in Kensington, and #sexualharassment on #Twitter.
Tom’s Stoppard’s dramedy THE REAL THING is set on a constantly evolving stage transforming into different locations in the UK during the early 1980s. Sky-high walls disappear, doors emerge out of nowhere, and scenes fluidly fold into the next with the help of nimble cast and crewmembers. First off, a man sits building a house of cards in a perfectly done up living room, while awaiting his wife’s return. The card house collapses with her sudden entrance, as does their marriage when he confronts her with the passport she left behind – on her trip out of the country. The whole scene feels rather put on, and the fake English accents don’t help.
WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE (New City): A New Perspective on First Families
New City Stage Company’s West Wing Festival on presidential politics concludes with a satirical take on the past and future occupants of the White House. Imaginative, amusing, and cynical, it considers how their private relationships and distinctive personalities might have impacted our history and could influence world affairs.
SoLow Fest 2014 sweeps the city this June. Floods of performances. Floods of performers. Get swept up!
To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
This episode we have Ingrid Bergman in South Philly, theatrical memoir on Vine, and porn at Quig’s.
Phindie talks to Manon Manavit, a future star of Philadelphia performing arts, before her debut show in the city. She just relocated from Montreal, where she worked with Cirque Du Soleil.
SoLow Fest! In the house. (In many houses.) This month. OMG. Across Philly’s various neighborhoods, artists of all shapes, sizes and specialities are working on over 35 different shows. How…
Kate Brennan lit up the Philadelphia stages for years as an actor and producer for BCKSEET Productions. Now NYC-based, she’s back in town this summer for an offbeat theater camp. Phindie asks her about this and her memories of Philly.
Phindie talked to Tamanya Garza, a longtime leader of the Philadelphia Latino theater community and director of EL NOGALAR, part of the three-play 30/30 series exploring Latino theater.
The fifth SoLow Fest features over forty individual shows across Philadelphia. How are you supposed to pick which ones you want to see? They only cost $5 (or whatever you want to fork over—Lo, the magic of Pay What You Can) so you can see more than one so long as you know what’s going on.
To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists!