A surprising reminder of how good it is just to be alive.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
In (MISS) JULIE, Svada Theatre Collective gives the naturalistic classic a much-needed reinterpretation.
A mythical world of secret rituals: special handshakes, dream sharing, playacting the stories of their ancient namesakes
Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics
STRANGE TENANTS is a genre-busting production couched in a classic setting.
ROLL PLAY is an improvised fantasy epic, combining the excitement of role-playing games with the spontaneity of live improv comedy.
This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.
A dramatization of the Freudian tripartite adapted to contemporary ideals, where a placid, self-realizing id advocates for complete acceptance of the self and indulgence in sexual urges
More engrossing, more alienating, and more disciplined than its predecessor.
The unifying question for the museum: why would the “ordinary, extraordinary colored girl” care about this?
Marx has returned from heaven to explain his now distorted ideas and ideals to a modern audience.
The Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of language,” is probably the…
How can a radically plotless work communicate a complex and controversial theory?