Tony Braithwaite re-enacts a holiday film classic in Act II Playhouse’s THIS WONDERFUL LIFE.
Welsh Christmas in Philadelphia: Interview with the cast of Walnut Street Theatre’s A CHILD’S CHRISTMAS IN WALES
A CHILD’S CHRISTMAS IN WALES: Interview with Aaron Cromie, Scott Greer, Maggie Lakes, Matthew Mastronardi, and Amanda Jill Robinson
PAC’s current production confirms its reputation as the best adaptor of classic works.
The simple tricks of the stage awe an audience of CGI-era children, showing that even something as normal as friendship can be magic.
Meehan and Collins use convincing Christopher Walken impressions in an intriguing look at how the fantasies of popular culture provide escape from our lives while they shape them.
Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.
The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?
Did you know you were a member of a secret religious cult? You are, and a meeting has been called to elect a new leader
Written by Welshman Dylan Thomas in the 1950s, A CHILD’S CHRISTMAS IN WALES is every nostalgic Christmas trope with song thrown in, and it’s totally delightful.
HANDLE WITH CARE is brilliantly seasoned with humor—the type found when differing cultures collide.
Lauren Feldman’s 7-week course for Philadelphia area playwrights had such a profound impact on those she taught.
For their debut production, Susanne Collins and Kevin Meehan looked to one of the most iconic actors of contemporary cinema: Christopher Walken.
If your dancing shoes aren’t quite up to the task, this show will do the trick.