The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres”
“…there’s a dog already biting,—’s conscience.” ~ Dog in The Witch of Edmonton REV Theatre kicks up the heat in the 17th century THE WITCH OF EDMONTON; a play based…
I was looking forward to catching Val Dunn and Jenna Kuerzi’s presentation on late-stage capitalism, JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM, ever since I first heard about it. It showed…
A review in words and sketch by Chuck Schultz and Yumna Tolaimate
The last big Whitman at 200 event was Oscar Visits Walt, a musical play about the meeting of two gay poets, Oscar Wilde and Walt Whitman.
For their June show, the Idiopathic Ridiculopathy Consortium decided to take on a grotesque play by Christopher Durang which Tina Brock directed. Brock herself has the prime comedic role of…
From being bullied to falling in love with Judy Garland. Tyler Houchins takes us down the yellow brick road.
This HOLIDAY INN is very, very impressive for a regional seashore show, in fact it would be impressive anywhere,
Sketches of the musical by Chuck Schultz.
Justin Geiss talks about working as a “swing” performer who can be called on to take the stage at a moment’s notice.
Lemire talks to Debra Danese about the unique challenges of bringing acrobatics and skating together.
There’s new performing arts festival in town: Trade School PHL/LAX runs June 5-8
Sean Thompson returns to the Walnut Street Theatre in the new production of Legally Blonde: The Musical, an adaption of the hit comedy film.
Theater takes us out of the fictional world we occasionally mistake as real.
Broadway veteran Liam Tobin will lead the cast of Book of Mormon as Elder Price when the show returns to Philly this month.
“It’s all a marathon, not a sprint”: Interview with Keith Illidge on Inis Nua’s production of UNTITLED
Tina Gill interviews Keith Illidge about his work and role in Inis Nua’s UNTITLED
Two brothers must find each other before they can find themselves.