A visceral, exquisitely written, three-person anxiety attack

At SCRATCH NIGHT, the change from one artist to another is exciting.

Three married couples in a romp about infidelity who all have years of stage work and accolades to their names.

What’s onstage in Philadelphia this month?

Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.

A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity

We checked in with Stef Smith to find out how she approaches her work.

Cameron Kelsall has some ideas for the new executive director.

PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.

Phindie met Katherine and Sarah online to get the lowdown on their collaborative project

They dusted off the rarely used Forrest Theater for this touring production of Hedwig and the Angry Inch, a twenty-year-old rock musical which was itself recently dusted off for a 2014 Broadway revival.

The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York

combines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.

James talked to Phindie about the genesis of WHITE and its development at PlayPenn, a Philadelphia-based organization for the development of new plays.

Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.

What a funny, nasty, smart show.

This brilliant Kander and Ebb show is about the decadence of Weimar Germany and the rise of Nazism

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.