EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.

David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.

Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane

Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.

Youth is the time of our lives when the more adventurous among us follow French poet Arthur Rimbaud’s dictum that “everything we are taught is false.”

No published or produced play has been the source for a Best Adapted Screenplay award since 1989.

This is what you can see in Philly theaters in March 2018.

Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.

If you’re a fan of TV police procedurals this is the play for you.

Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.

Frank Ferrante can turn into his boyhood and current idol, Groucho Marx, on a dime.

Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.

Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.

Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense

Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.

What would 21st-century American culture look like if all we knew about it was told generations after an apocalypse

What? Him again? Yes and no.

Sketches of TIME REMEMBERED by Jean Anouilh, presented by the Idiopathic Ridiculopathy Consortium February 6-March 4, 2018 at the Walnut Street Theatre Studio 5

Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.

V2: Creation Myth follows up and updated the themes from The Vagina Monologues.