Is there more still left in the playwright’s head that didn’t make it to the stage?
Freda Payne does some lovely singing in ELLA: FIRST LADY OF SONG, a biographical tribute to Ella Fitzgerald
The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
The hills are alive with the sound of Danielle Lee James!
From modern to historic, tragic to fantastic, THE WOMEN OF IRELAND views the feminine from many angles, creating a fleshed out sculpture of Irish life.
It was interesting to compare last week’s reading of Shakespeare’s THE RAPE OF LUCRECE at the Rosenbach to the original presentation at the Broad Street Ministry in 2016.
HUMAN RITES succeeds as a vehicle to tackle such hot-topic themes as appropriation and intersectionality.
Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
I’ve gone from a fan and admirer to an enthusiastic supporter of Jen Childs in I WILL NOT GO GENTLY.
Most things are destined to be average, even musicals that have managed to stay on Broadway for a couple of years.
Doylestown native and Penn State grad Liam Fennecken is ready to rock and roll in the high octane musical SCHOOL OF ROCK.
Neill Hartley’s ensemble for FROZEN makes the most of all the emotion and thoughtfulness Bryony Lavery invests in his play of forgiveness, redemption, and moving on.
In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and began hoping Stern, a known…
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.