Theater

The best source for independent coverage of Philadelphia theater.

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How should Philadelphia Theatre Company rebrand itself?

Cameron Kelsall has some ideas for the new executive director.

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PARROT TALK (Julius Ferraro): Like a sound wave begging to be heard

PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.

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G-chatting the Gift of Life: Talking POLLYANNA with Katherine Perry and Sarah Knittel

Phindie met Katherine and Sarah online to get the lowdown on their collaborative project

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HEDWIG AND THE ANGRY INCH (Forrest Theater): She’s coming for you

They dusted off the rarely used Forrest Theater for this touring production of Hedwig and the Angry Inch, a twenty-year-old rock musical which was itself recently dusted off for a 2014 Broadway revival.

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THE LIGHT PRINCESS (Arden): An elixir of make-believe

The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe

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Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

OSLO on Broadway.

“New York-caliber actors”: How NYC-centrism hurts regional theater

A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York

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#IAMMADEOFSTARS (Almanac): Artistes of the floating world

combines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.

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WHITE: James Ijames on PlayPenn and Playwriting

James talked to Phindie about the genesis of WHITE and its development at PlayPenn, a Philadelphia-based organization for the development of new plays.

Mattie Hawkinson (as Penthea), Josh Carpenter (as Orgilus), Gregory Isaac (as Bassanes). Photo by Shawn May.

THE BROKEN HEART (Quintessence): Dark matter

Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.

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HAND TO GOD (PTC): The human comedy with sock puppets

What a funny, nasty, smart show.

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CABARET (Roundabout Theatre): Tomorrow belongs to…

This brilliant Kander and Ebb show is about the decadence of Weimar Germany and the rise of Nazism

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Theater in Sketch: ANNA (EgoPo)

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

Lenta (Aneta Kerova) and the Old Woman (Azetz Papadopoulou). Sketch by Chuck Schultz.

ADAPT! (Wilma): On the brink of dawn

Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!

Philadelphia theater calendar

Philadelphia Theater Calendar April 2017

What’s on stage in Philadelphia this month?

Bi Jean Ngo and Mina Kawahara in YOU FOR ME FOR YOU. Photo by Kate Raines/Plate 3 Photography.

YOU FOR ME FOR YOU (Interact): Sisters in different worlds

This thoughtful production changes how we see the world and ourselves

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The Art of a Show: Creating graphics for an independent theater production

A play with gorgeous graphics for its marketing just looks like it has its shit together. How does that happen?

Jose Llana and Laura Michelle Kelly in Rodgers & Hammerstein's The King and I. Photo by Matthew Murphy

THE KING AND I and I: Interview with star of touring production

Anthony Chan spoke with Phindie about his role as Prince Chulalongkorn.

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Theater in Sketch: THE KING AND I (Academy of Music)

HE KING AND I is set in a time period of colonies and colonials.

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Playwrights Under Pressure: Part 2 of interview with OSLO playwright J.T. Rogers

“The American theater is chock full of inward looking plays that fester over small, personal family dramas”