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Harry Slack has cut the gaping holes in Shakespeare’s logic into microscope slides, and the result is a hilarious and self-aware send-up of the rarely-discussed flaws in the work of our most beloved playwright.
View More GENDER COMEDY: A LESS STUPID TWELFTH NIGHT GAY FANTASIA (Curio): A loving parody brings infectious glee
Lantern Theater Company’s world premiere adaptation of A CHILD’S CHRISTMAS IN WALES by Charles McMahon and Sebastienne Mundheim, the inventive “interdisciplinary performance-maker” who designed the production and also directs, captures all the warmth, nostalgia, and childlike wonder of the original, employing live actors, puppets, miniature houses, plastic-bag clouds, and exhilarating snow flurries to transform Thomas’s descriptive language and idealized memories into an enchanting theatrical vision.
View More A CHILD’S CHRISTMAS IN WALES (Lantern): Idyllic visions of a holiday past
TWELFTH NIGHT being the 1602 equivalent of a holiday special, there’s no shortage of booze-riddled merriment in Pig Iron’s revival from the 2011 Fringe Festival.
View More TWELFTH NIGHT, or WHAT YOU WILL (Pig Iron/FringeArts): The 1602 equivalent of a holiday special
New City Stage Company’s Philadelphia premiere of FROST/NIXON is anything but the dry historical debate you might expect. Under Aaron Cromie’s brilliant direction, playwright Peter Morgan’s story of the series of TV interviews conducted by faltering British talk-show host David Frost in 1977 with disgraced US President Richard Nixon is a painfully tense and surprisingly humorous cat-and-mouse game.
View More FROST/NIXON (New City Stage Company): A gripping game of psycho-political chess
OWNERS, a dark comedy by British playwright Caryl Churchill, is an examination of the sexual politics of power and property. It’s a fun, dark world, where everything and everyone is just an acquisition waiting to happen; apartments are traded for babies, which are traded for sex, which is used as leverage for more negotiations and scheming.
View More OWNERS (InVersion): A farce in a dark world
MEET ME IN SAINT LOUIS: A LIVE RADIO PLAY is based on The Kensington Stories by Sally Benson and the MGM motion picture Meet Me in Saint Louis; the musical book written by Hugh Wheeler was expertly adapted to the unique radio play style by Joe Landry. Simply, this show is fun.
View More MEET ME IN SAINT LOUIS: A LIVE RADIO PLAY (Bucks County Playhouse): 60-second review
In celebration of its tenth anniversary season of wintertime pantos People’s Light & Theatre Company in Malvern is presenting a remount of CINDERELLA, its most acclaimed panto to date.
View More CINDERELLA (People’s Light): The Return of an Award-Winning Panto
The latest installment of SNOWBALL, the annual wintertime extravaganza by Brian Sanders’ JUNK, is a must-see world-premiere holiday delight for the whole family. Combining a post-modern urban narrative with a charming “Winter Wonderland Furrytail,” the engaging two-act show will keep you smiling, gasping, oohing and aahing at its heartwarming moral, Sanders’ stunning choreography, and his acclaimed dance troupe’s extraordinary finesse.
View More SNOWBALL (Brian Sanders’ JUNK): A Wondrous Urban Fairytale for Kids of All Ages
As the holiday season begins, so does the decorating process. We all have those neighbors who take the time to remind us about the true story…
View More NO RESERVATIONS (PNAA): 60-second review
While Shakespeare’s Restless World: A Portrait of an Era in Twenty Objects is not, and does not claim to be, a complete narrative history of the times or a full-blown dramaturgical analysis of the Bard’s oeuvre, it does offer a fascinating collection of twenty chapter-length essays, using the objects as a springboard to explore key issues of the day and in Shakespeare’s work.
View More Book Review: SHAKESPEARE’S RESTLESS WORLD: A PORTRAIT OF AN ERA IN TWENTY OBJECTS by Neil MacGregor
This is in Kensington, on the closing night of Mascher Space Cooperative’s Microfestival of Stubborn Occasions: a set of performances described as “a space where choreography is given permission to exist in the in-betweens.” Two shows are on the docket for tonight, Foster’s #JANEGOODALLDRAMA and Christina Gesualdi’s MY NEBULOUS SOLO.
View More A MICROFESTIVAL OF STUBBORN OCCASIONS (Mascher Space Co-op): The moment doesn’t exist
Okay, Kevin Allison’s RISK! is the undisputed G-spot of the 12th annual First Person Arts Festival. The format is simple: five people step behind a microphone and relate their most private thoughts in the form of a story to an audience of strangers.
View More RISK! TRUE TALES BOLDLY TOLD (First Person Arts): Risky storytelling pays off
In the Middle Ages, the Church endorsed theatrical depictions of Church teachings to educate a mostly illiterate public. EVERYMAN is only one of five from its time that has survived to today. Villanova Theatr commissioned Mark J. Costello to translate the play from Middle English using modern language and the authenticity of rebelliousness in the punk subculture
View More EVERYMAN (Villanova Theatre): 60-second review
“Let’s assume you’re traveling,” says Thaddesus Phillips, placing the audience as the sojourner. And he whisks us off. With co-creators Tatiana Mallarino and Patrick Nealy, and director Rebecca Wright, Phillips has concocted something special with 17 BORDER CROSSINGS.
View More 17 BORDER CROSSINGS (Lucidity Suitcase Intercontinental/FringeArts): Voyage of imagination
Based on the 2003 hit film of the same name, ELF, this year’s annual Christmas-time extravaganza at the Walnut Street Theatre, offers popular feel-good entertainment for the whole family. The amusing musical comedy is filled with magic and spectacle for the kids, wry jokes and innuendo for their grown-ups, and a familiar sentimental moral that is relevant for all ages. It’s a cute and snappy start to the holiday theater season that could make even the meanest Grinch smile.
View More ELF (Walnut): A family-friendly feel-good musical for the holidays
This hybrid of monologue and musical chronicles the life of Bessie Smith. Although Smith experienced troubled times in her life, THE DEVIL’S MUSIC is mostly upbeat—chock full of raunchy innuendo and humorously sexual dance moves. This makes for a perfectly lovely evening of theater…
View More THE DEVIL’S MUSIC (People’s Light): 60-second review
Lunging onto the stage with the gusto of 1000 aerobics classes, HANDS ACROSS VERONICA sets the tone for a high energy, neon fueled performance. A joint production of Walking Fish Theatre and Nakedfeet Productions, HANDS ACROSS VERONICA is primarily concerned with how women relate to food and deal with their body image,
View More HANDS ACROSS VERONICA (Walking Fish/Nakedfeet): 60-second review
Though EM Lewis’s 80-minute thriller TRUE STORY pays homage to Raymond Chandler’s detective-story and film-noir tradition of the 1930s and ‘40s, the play offers a more current (cell-phone era) exploration of the genre. It combining the twists and turns of a gripping murder mystery with the profound human issues of coping with loss, assuming responsibility, the nature of truth, and the desire for justice. Passage Theatre Company’s world-premiere production, directed with wit and suspense by Damon Bonetti, succeeds in delivering all the surprises, humor, emotion, and psychology inherent in the script.
View More TRUE STORY (Passage): A Multi-Layered World-Premiere Whodunit
Ten seconds into Murmuration’s inaugural production of Jessie Bear’s brand spankin’ new play, MAKESHIFT, Brian David Ratcliff, stands like a little boy by his lonesome on stage in what he describes as a devastated post-apocalyptic earth donning a royal blue super hero cape, goggles strapped to his head, holding a tape recorder up to his mouth declaring: “I, Michael Bolton will save the world.” I thought: “Wow, we are really on the edge of a cliff here, and Oops, I think we fell off into—I don’t know what.”
View More MAKESHIFT (Murmuration Theater): A play not just about cake
Reading history is like watching a familiar play: the fascinating thing is that the characters don’t know what’s going to happen. But sometimes you come across a work of fiction written on the cusp of great historical events imbued with a clear sighted vision of how the epoch is unfolding. Adapted by Frank Dunlop from a 1938 novella by Kathrine Kressman Taylor, ADDRESS UNKNOWN is one such work.
View More ADDRESS UNKNOWN (Meadowbrook Productions): Letters from the edge of history