Jarran Muse talks to Phindie about preparing for his role as Marvin Gaye.
The company has gone through drastic changes since last season, some of which may have come with sorrow. Still they never stopped their devotion to ballet and to the Philadelphia art community.
A remarkable play navigating the deep waters of philosophy and the shallow waters of adults wearing animal costumes.
With support from the Public Citizens for Children’s Picasso Project + Youth and the Curtis Institute of Music’s ArtistYear Fellowship Program, the arts are once again being revived in Philadelphia’s public school district.
A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories
I feel like I know the value of experimental theater thanks to the folks at Target Margin.
A meta take on Flaubert’s classic.
In a casting coup, Anthony Heald has come to Philadelphia to play Herbie in GYPSY at Arden Theatre.
DIRTY DANCING returns to Philadelphia this month with several new new cast leads, including Jennifer Mealani Jones in the role of Penny Johnson
A visceral, exquisitely written, three-person anxiety attack
Three married couples in a romp about infidelity who all have years of stage work and accolades to their names.
Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.
A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity
We checked in with Stef Smith to find out how she approaches her work.
Cameron Kelsall has some ideas for the new executive director.
PARROT TALK follows a simple narrative arc of a woman dying on her way to the grocery store; however, nothing about her journey is linear.