Plato's Porno Cave: The Trial, Little Berlin, Marshall James Kavanaugh and Augustus Depenbrock

Plato’s Porno Cave: The Trial (Little Berlin): Surrealist party, imagery orgy

To the left of the pyramid was a little shanty you could enter and perform a primal scream. A glass window on either side faced in on a small chamber with an apple and, if you hit the right decibel with your scream, the apple would explode. The mechanism for blowing up the apple failed pretty quickly (it worked a few times before the forces of chaos seeped into the mechanism), but that didn’t stop the crowd going in and screaming periodically while the Eye played master of ceremonies from his pyramid throne.

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Annie Henk, Jered McLenigan, David Bardeem in RITU COMES HOME. Photo by Kathryn Raines

RITU COMES HOME (InterAct): Two gay men who practice Safe Charity become parents

Jason (David Bardeen) and Brendan (Jered McLenigan) ease the paucity of Ritu’s (Rebecca Khalil) existence by sending monthly checks through an aid organization. The last thing in the world they’d ever expect would be for their charity case to show up in their living room.

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What Sanity by Chelsea Murphy, Alex Romania, and Magda San Millan

SOLOW FLASH INTERVIEWS 2014, EPISODE EIGHT: DUO OF GROSSNESS, TRIO OF MADNESS

In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.

Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.

A big pile of sand.

SoLow is like a sandbox.

To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

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untitled commission by Kevin Meehan.

SOLOW FLASH INTERVIEWS 2014, EPISODE SEVEN: KEVIN MEEHAN, AMELIA CHARTER & ELIZABETH WHITNEY

SoLow is about play.

There are some plays in it.

There are some . . . things . . . in it which are not plays.

But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.

To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

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Full House 2014 - Michael L Medvidik

Full House (Quince): You deserve a cabaret!

Downtown theater company Quince Productions – the punchy, LGBTQ-leaning bunch that puts on GayFest! every August – opens their sixth annual Full House cabaret series this Thursday in its ancestral home, the Red Room at the Society Hill Playhouse, and it’s looking as wicked, delightful and boozy as ever. (Boozy because your ticket includes the price of a drink.)

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escape clause by Robert Gross and Julius Ferraro

SOLOW FLASH INTERVIEWS 2014, EPISODE SIX: STEVEN WEISZ, MELISSA RAUB & ROBERT GROSS

SoLow is lo fi.

SoLow is lo stress.

SoLow is lo budget.

SoLow is happening, and to give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This episode we have modern dance in center city, astral projection installation performance in Kensington, and #sexualharassment on #Twitter.

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Tom Stoppard's The Real Thing at The Wilma

THE REAL THING (The Wilma): Exquisite dialogue shines through spotty production

Tom’s Stoppard’s dramedy THE REAL THING is set on a constantly evolving stage transforming into different locations in the UK during the early 1980s. Sky-high walls disappear, doors emerge out of nowhere, and scenes fluidly fold into the next with the help of nimble cast and crewmembers. First off, a man sits building a house of cards in a perfectly done up living room, while awaiting his wife’s return. The card house collapses with her sudden entrance, as does their marriage when he confronts her with the passport she left behind – on her trip out of the country. The whole scene feels rather put on, and the fake English accents don’t help.

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Promotional image for New City Stage Company’s WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE by Voices for a New City Ensemble (Photo credit: Courtesy of New City Stage Company)

WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE (New City): A New Perspective on First Families

New City Stage Company’s West Wing Festival on presidential politics concludes with a satirical take on the past and future occupants of the White House. Imaginative, amusing, and cynical, it considers how their private relationships and distinctive personalities might have impacted our history and could influence world affairs.

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Bi(?!)lingual by Asaki Kuruma

SOLOW FLASH INTERVIEWS 2014, EPISODE FIVE: Meredith Sonnen, Sam Henderson and Asaki Kuruma

SoLow Fest 2014 sweeps the city this June. Floods of performances. Floods of performers. Get swept up!

To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This episode we have Ingrid Bergman in South Philly, theatrical memoir on Vine, and porn at Quig’s.

View More SOLOW FLASH INTERVIEWS 2014, EPISODE FIVE: Meredith Sonnen, Sam Henderson and Asaki Kuruma