Theater

The best source for independent coverage of Philadelphia theater.

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THE STORYTELLERS (Joy Madden): 2017 Fringe review

“We are storytellers,” Joy Madden begins.

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Fringe in Sketch: DEAR DIARY LOL (AntiGravity Theatre Project)

Anti Gravity Theatre Project presents a theatrical excavation of their middle school diaries by staging the unaltered words found inside.

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THESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe review

The Berserker Residents may parody the conventions of theater, but they clearly believe in its power

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AMERICANA PSYCHOBABBLE (Alexandra Tatarsky): 2017 Fringe review

Tatarsky’s daring, inventive, rapid-fire wordplay is unlike anything you’ll see on a Philly stage

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BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review

A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.

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AIRSWIMMING (Half Key Theater Company): 2017 Fringe review

Shuchman and Johnson take us through the trenches of psychological warfare with unforgettable performances

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Fringe in Sketch: HOME (Geoff Sobelle)

Our personal space is our own

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UBU FAUST (Broderick Jones with Leila and Pantea Productions): 2017 Fringe review

Alfred Jarry, Doctor Faustus, and Punch & Judy combine in hilarious puppetry.

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BIND (Corinna Burns): 2017 Fringe review

An ambitious, unfinished work by one of Philadelphia’s best.

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Fringe in Sketch: THE FREN BANKLIN EXPERIENCE

Fren Banklin comes to the sketchbook reporter’s dining room.

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LABOR OF LOVE (The Waitstaff): 2017 Fringe review

Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.

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Fringe in Sketch: MARX IN SOHO (Iron Age)

MARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.

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#COCKTAILPLAYS (Juniper Productions): 2017 Fringe review

The best bartenders remember you by the names of the cocktails you drink.

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Fringe in Sketch: I, PEASEBLOSSUM (Curio Theatre)

I, PEASEBLOSSOM was a great character study for me. I wanted to keep capturing the many sides of Brian McCann.

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A BILLION NIGHTS ON EARTH (Thaddeus Phillips + Steven Dufala): 2017 Fringe review

How do you capture A BILLION NIGHTS ON EARTH in a 90 minute play while appealing to an audience aged 3-99?

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THE RESISTIBLE RISE OF ARTURO UI (DBaD Productions): 2017 Fringe review

The Fringe is an excellent place for companies to mount political protest plays

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BAD ACTIVIST (Humble Mumbles): 2017 Fringe review

The story of a third-wave feminist / lefty peace activist unable to resist her essentially Orientalist fantasies