Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style.
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1)
Interview with J.T. Rogers on the journey from PlayPenn to Broadway.
IRONBOUND takes place outside of a bus stop in front of a factory in New Jersey.
Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters
SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
Local playwright Josh Hitchens has interpreted a Civil War story by Louisa May Alcott.
The Berserker Residents take us back to school
Shakespeare made simple, and simply fun.
Former PlayPenn interns come into their own as theater professionals.
From the author of such children’s classics as The Giving Tree and Where the Sidewalk Ends comes a socially insightful series of vignettes
Yes, that was me sobbing on opening night of LOST GIRLS.
PlayPenn interns describe what its like to work with top playwrights.
We hear from PlayPenn interns about the daily goings on of the conference.
Last weekend Moving Arts of Mount Airy witnessed a gathering artists connecting subjects to their own artistic voices
What does this spacial or architectural acknowledgement yield?