How did Kellyanne Conway go from Hammonton, New Jersey blueberry-packing champ to the first woman to manage a successful U.S. presidential Campaign?
TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake.
Asya Zlatina’s new work STORM is sophisticated and well-done.
Razors pain you; Rivers are damp; Acids stain you; And drugs cause cramp. Guns aren’t lawful; Nooses give; Gas smells awful; You might as well live .—”Resumé” by Dorothy Parker…
A surprising reminder of how good it is just to be alive.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
In (MISS) JULIE, Svada Theatre Collective gives the naturalistic classic a much-needed reinterpretation.
A mythical world of secret rituals: special handshakes, dream sharing, playacting the stories of their ancient namesakes
Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics
Every aspect, element, sound, and movement feels meaningful and intentional
STRANGE TENANTS is a genre-busting production couched in a classic setting.
ROLL PLAY is an improvised fantasy epic, combining the excitement of role-playing games with the spontaneity of live improv comedy.
This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.
A dramatization of the Freudian tripartite adapted to contemporary ideals, where a placid, self-realizing id advocates for complete acceptance of the self and indulgence in sexual urges
APPROACHING HAPPINESS WITH KRISH MOHAN is preaching to the choir
More engrossing, more alienating, and more disciplined than its predecessor.
The unifying question for the museum: why would the “ordinary, extraordinary colored girl” care about this?