Starting in bustling Rittenhouse Square, MIRRORING SKY guides participants along familiar city streets, ending at the Schuylkill River Park
Playwrights are do not come fully formed. Directors have to start somewhere. And the Philly Fringe Festival is traditionally a great place for artists to take their first artistic steps.
Ombelico’s latest al fresco offering, FLIM FLAM PHANTOM SHAM, is a delightful synthesis of traditional Commedia dell’Arte with current Philadelphia references, delivered in Italian and English—or Philly’s local version thereof!—which kept me in stitches throughout the entire all-ages show.
After years of milking their hit show The Real Housewives of South Philly until it jumped the shark, The Waitstaff return to the Fringe with another set of funnybone-tickling sketch comedy
What is necessary? In NECESSARY EFFORTS, the mixed-bill production by The Naked Stark, the answer offered is the work of making.
THE BODY LAUTREC is not everyone’s cup of tea: a shockingly hard-core depiction of the depravities and debaucheries of Henri de Toulouse-Lautrec and his art.
It would be fun to call ANNA K an irreverent romp through Tolstoy’s 1870s novel, Anna Karenina, but in fact playwright Chris Davis reverences the material in his own way. For all its comedy, and there’s plenty in his South Philly-style version, the play scans the storyline and retains underlying issues.
UNDERGROUND EPISODES carries us from Olney to past City Hall and then back again in poems, half-spoken and half-recited, sometimes direct and sometimes inscrutable.
The compelling two-act opus captures the historic characters, events, and mood with passion and clarity.
NELLIE/NELLIE combines these whimsy and imagaination with the true story of American journalist Nellie Bly and her 10 days in a mental institution.
BALLETX’s intimate performance featured a company dancer and performers from Murmuration, a dynamic and experimental ensemble.
THE ABSOLUTELY, POSITIVELY, FORGET-ABOUT-IT, LAST NIGHT AT VON DAHM’S SPORTS BAR, WING HUT, AND KARAOKE PALACE (Actors International Theatre): Fringe Review 48
Some Fringe shows display great production values and artistic quality. VON DAHM’s isn’t one of those, but it’s still a joy.
Two original one-hour plays inspired by the life and popular children’s book of Scottish author J.M. Barrie
KIM COLES: OH, BUT WAIT . . . THERE’S MORE! (Kim Coles / Dir. Scotch Ellis Loring): Fringe Review 46
The actor, best known for work on “Living Single,” opens it all up with a solo show that is hilarious, hopeful, and surprisingly heartfelt.
The creative young minds of Salamé Studios have put together a show that anyone willing to try something untrodden will enjoy
This is no mere retelling of Romeo and Juliet. What we get is a conjuring, a blood-letting, a full-throated cry of rage.
Truth Be Told Productions BENT isn’t innovative, but it is a quality production of a culturally significant play.
Romeo Castellucci has poured his personal inspirations and philosophy into this remarkable abstract production, but ultimately viewers must determine its meaning for themselves. To this viewer, the piece is a resounding “NO.”
KILL SHAKESPEARE: LIVE GRAPHIC NOVEL (Revolution Shakespeare and Hear Again Radio Project): Fringe Review 42
Revolution Shakespeare (dedicated to new approaches to the playwright) and Hear Again Radio Project (specializing in the recreation of vintage radio programs) have teamed up for an entertaining presentation of the popular graphic novel series KILL SHAKESPEARE.
Whit MacLaughlin is going off the deep end with this one. Are you willing to jump in with him? New Paradise Laboratories’ handsomely crafted, meticulously acted, and totally weird production, is not easily accessible. Nothing much can be taken literally here, and the production doesn’t reward searching for specific meanings as it creates its own tilted world with its own skewed logic.