This original ensemble-devised piece explores the inspiration and moods of expressionist painter Cy Twombly’s series of canvases on the theme of the Trojan War.
An uproarious look into the reasons people steal, and why others chase them
The latest in a series of previews of shows in the Fishtown Fringe segment of the 2015 Philadelphia Fringe Festival.
Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.
In SPLICE, a single flat wave of board whoops its way through the Leonard Pearlstein Gallery, which consists of about four rooms, vaguely defined by false walls.
WOMEN UN PLUGGED is about women and what they say to each other when they think no one is looking.
With dialogue like “I thought this player was a golden unicorn in the last game” the presentation is recognizable, but slightly askew, and ten times more fun
Statistics tell us about our city, but the story is fragmentary and incomplete. To fill out the picture, Rimini Protokoll recruited 105 real Philadelphians.
WHAT NARWHALS TALK ABOUT WHEN THEY TALK ABOUT LOVE (Grace Mi-He Lee and Leslie Elkins): Fringe Review 77
Grace Mi-He Lee and Leslie Elkins set their work in Lee’s living room of her small home in South Philly in the on-and-off tradition of the Rowhouse Fringe.
Attempting to embrace “the space between…the familiar and unfamiliar” dancers run rampant through five “interfaces” of movement in #SHAMANICINTERFACES.
At last year’s Fringe Fest, we entered a blood-splattered BASEMENT filled with all the torment of a broken heart. Gunnar Montana brings us into a shiny, neon-galactic RESURRECTION ROOM this year.