Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.
In SPLICE, a single flat wave of board whoops its way through the Leonard Pearlstein Gallery, which consists of about four rooms, vaguely defined by false walls.
WOMEN UN PLUGGED is about women and what they say to each other when they think no one is looking.
With dialogue like “I thought this player was a golden unicorn in the last game” the presentation is recognizable, but slightly askew, and ten times more fun
Statistics tell us about our city, but the story is fragmentary and incomplete. To fill out the picture, Rimini Protokoll recruited 105 real Philadelphians.
WHAT NARWHALS TALK ABOUT WHEN THEY TALK ABOUT LOVE (Grace Mi-He Lee and Leslie Elkins): Fringe Review 77
Grace Mi-He Lee and Leslie Elkins set their work in Lee’s living room of her small home in South Philly in the on-and-off tradition of the Rowhouse Fringe.
Attempting to embrace “the space between…the familiar and unfamiliar” dancers run rampant through five “interfaces” of movement in #SHAMANICINTERFACES.
At last year’s Fringe Fest, we entered a blood-splattered BASEMENT filled with all the torment of a broken heart. Gunnar Montana brings us into a shiny, neon-galactic RESURRECTION ROOM this year.
FROM OUR LIVING ROOM comprises five original pieces—four duets and one solo—choreographed and performed by the all-female members of the emerging company Birds on a Wire.
MOUNT AIRY HOME COMPANION borrows more than the title from its public radio namesake, capturing the lovingly corny spirit of Garrison Keillor and company.
Award-winning choreographer and artistic director Christopher Fleming has created a beautiful program of new works to open BalletFleming’s 2014-15 season.
As a culture, we are fascinated by celebrities’ elusive personal lives. Silver Stage Company’s BY THE WAY, MEET VERA STARK questions the responsibility we bestow on Hollywood stars, especially actors…