Reviews

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Experience an Original Sonic Happening at the Fringe with Found Theater Company’s ELECTRIC JUNGLE

Found Theater Company’s latest foray into the Fringe Festival is everything the Fringe should be: experimental, inventive, boundary-breaking, and thoroughly engaging. Devised by Found’s young ensemble of multi-talented Temple University…

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Treats of the 2012 Philly Fringe: THE GHOST SONATA and THE MAIDS

One of the great things about the Fringe Festival is the opportunity to see independent companies perform works unlikely to be attempted by more established theater groups. This year brought…

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RED-EYE to HAVRE de GRACE (Lucidity Suitcase Intercontinental): 2012 Philadelphia Live Arts Festival

An early version of this show lit up the Live Arts Festival in ’05, and I couldn’t wait to see the latest manifestation of the collaboration between Thaddeus Phillips’ Lucidity Suitcase Intercontinental and Wilhelm Bros. music. The production has grown up over the intervening years. It’s bigger, wider, and deeper, and just as amazing and magical.

Dan Hodge as Adolph and Krista Apple as Tekla in the PAC’s CREDITORS, featuring a sculpture by Roger Wing on the table (Photo credit: David Comdico)

CREDITORS (Philadelphia Artists’ Collective): Everything Great Theater Should Be

August Strindberg’s CREDITORS is a revenge tragedy of classic proportions, a modern descendant of the ancient Greeks and Shakespeare. His unnerving story of a love triangle in late 19th-century Sweden…

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Fringe Festival Takes Flight with Nichole Canuso Dance Company at the APS Museum

RETURN RETURN DEPARTURE considers the fleeting nature of time and the human compulsion to capture it, and there can be few more poignant examples than an ephemeral dance duet at sunset, videotaped for posterity by the performers themselves.

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A Rare and Satisfying CYMBELINE at Philadelphia Shakespeare Theatre

CYMBELINE is one of Shakespeare’s later and lesser-known works, not often performed and hard to classify. Though inspired by legends about an ancient British king named Cunobelinus, it is not…

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Plenty of Pulp: THE END OF CIVILIZATION at the Walking Fish

Some of the best entertainments are plot-heavy pulp mysteries: the film Double Indemnity, Raymond Chandler’s stories, Agatha Christie’s plays. With unemployment, serial killing, prostitution, addiction, and flawed police detectives, George F….

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A Taste of the Fringe in Early Summer: New City Stage Presents Two Sam Shepard Shorts

The Edinburgh Fringe Festival receives hundreds of applications from American drama troupes every year. Philadelphia’s New City Stage Company is in talks to become one of those selected to travel…

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Sisyphus Sings in Silent Joy: Lantern Theater Company’s THE ISLAND

In his essay The Myth of Sisyphus Albert Camus compares man’s existence to the figure from Greek mythology, condemned for eternity to push a rock up a mountain, only to have it…

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1812 Productions Weds Mamet in BOSTON MARRIAGE

I have a soft spot for the drawing room plays by Oscar Wilde, Somerset Maughan, and the like. With ready wit they provide amusing takedowns of bourgeois society, its conventions…

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HAMLETMACHINE + MEDEAPLAYS = Renegade’s Richly Challenging Work

Berlin was the 20th-century’s battleground. After the convulsions of its own murderous fascism and the Red Army’s retaliatory annihilation, it became the front line in the Cold War. Cut in…

Isa St. Clair, Brian McCann, and Steve Carpenter in the Curio Theatre Company’s production THE TEMPEST. Photo by Kyle Cassidy.

THE TEMPEST (Curio): Such stuff as dreams are made on

Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and…

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Theatre Exile’s A BEHANDING IN SPOKANE Entertains

Author Graham Greene wrote two types of books. His novels (The Power and the Glory, The Quiet American), onto which he staked his literary reputation, and his “entertainments” (Our Man in…

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Philadelphia Shakespeare Theatre Triumphs with TITUS ANDRONICUS

Shakespeare’s early revenge tragedy, TITUS ANDRONICUS, is a bloodbath of murder, dismemberment, rape, and cannibalism, which has remained for centuries the Bard’s most maligned work. Some have questioned its authorship,…

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Stirring BLACK MONK Offered Up by Simpatico

“Forget all the laws of optics, which the legend does not recognize” —Anton Chekhov, The Black Monk Attempting to summarize the best modernist short stories is futile; it’s impossible to…

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New City’s TERRORISM Presents a Sardonic Look at Modern Life

Passenger: It’s madness — what sort of an age do we live in? You don’t feel safe anywhere now, only at home… First Passenger: At home? Passenger: Only at home…

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A PLAY, A PIE AND A PINT: Three Things We Can All Like

As a lover of theater, beer, and meat-filled pastries, I’ve been excited by the ads and positive buzz about this series from Tiny Dynamite for a few months. When I…

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Inis Nua Finds a Home with LITTLE GEM

Since 2004, Inis Nua Theatre Company has been entertaining Philadelphia audiences with provocative new Irish and British plays, staged at venues around the city. The company has already marked a…

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Fun for a Night, Hell for a Life: Luna’s Toxically Humorous BACHELORETTE

We’ve all met someone like her: the beautiful ex–prom queen with a cutting wit, overconfidence, and the forgivable tendency to say something hopelessly stupid and insensitive. In Leslye Headland’s BACHELORETTE,…

Simpatico’s THE MEEP PROJECT by Ed Swidey. Illustration by Robert Berry.

Simpatico’s THE MEEP PROJECT Brings Innovation to All-Ages Theater

THE MEEP PROJECT is a charming collaboration between playwright Ed Swidey and Simpatico Theatre Project. The world premiere development piece (which looked as fully developed as any original production I’ve seen!) employs new methods of storytelling, using movement and sound in place of language.