David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.
If you’re a fan of TV police procedurals this is the play for you.
Frank Ferrante can turn into his boyhood and current idol, Groucho Marx, on a dime.
Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.
Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense
Ballets Jazz de Montréal returned to the Prince Theater this weekend to perform three Philadelphia premieres.
Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.
What? Him again? Yes and no.
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
NINETEEN MOVEMENTS FOR UNACCOMPANIED CELLO (Scott Ordway): Sounding the Chestnut Hill Skyspace for a world premiere
The premiere of composer Scott Ordway’s Nineteen Movements for Unaccompanied Cello took place in the perfect setting – the James Turrell Skyspace in the Chestnut Hill Friends Meeting.
Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.
Mark Morris Dance Group and Music Ensemble returns to Philadelphia after 14 years with Dances to American Music,
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
THE HUMANS is a difficult play to like or to watch