Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.
What? Him again? Yes and no.
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
NINETEEN MOVEMENTS FOR UNACCOMPANIED CELLO (Scott Ordway): Sounding the Chestnut Hill Skyspace for a world premiere
The premiere of composer Scott Ordway’s Nineteen Movements for Unaccompanied Cello took place in the perfect setting – the James Turrell Skyspace in the Chestnut Hill Friends Meeting.
Philadelphia’s premiere drama critic, Toby Zinman knows her theater. Opera, not so much. Here’s her dilettante review of Opera Philadelphia’s WRITTEN ON SKIN.
Mark Morris Dance Group and Music Ensemble returns to Philadelphia after 14 years with Dances to American Music,
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
THE HUMANS is a difficult play to like or to watch
A delightful comedy that shows an evening and morning in the lives of four sisters
What’s being satirized in this social satire? Good question, with several answers.
The performers leave a bright impression in a play that’s a caricature of life and art,
Paul Osborne’s 1939 comedy gets a new production in Malvern, PA.
Comprised of twelve live pieces and two short films, URBAN MEADOW celebrates BodyVox’s 20th Anniversary and the variety of work they produce.
Out of the ordinary, but a delight to experience.
A visit with the eccentric Sycamore family is always a warm adventure in zaniness