Reviews

A Dolls House Part 2 Arden theatre review

A DOLL’S HOUSE, PART 2 (Arden): After the slam

Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.

diamentino review

DIAMANTINO (dir. Gabriel Abrantes & Daniel Schmidt): Philadelphia Film Festival review

From Portugal comes what is easily the funniest film of 2018

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MR BURNS (Wilma): Darkness on the edge of Springfield

Civilization has collapsed but The Simpsons is still going.

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PROSPECT (dir. Chris Caldwell, Zeek Earl): Philadelphia Film Festival review

In this world, space isn’t the final frontier. It’s the California desert post-gold rush.

The Favourite

THE FAVOURITE (dir. Yorgos Lanthimos): Philadelphia Film Festival review 2

Dan Scully reviews the latest movie from the director of The Lobster.

the guilty movie review

THE GUILTY (dir. Gustav Möller): Philadelphia Film Festival review

Like all good thrillers, THE GUILTY weaves in current issues from the real world,

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FIDDLER ON THE ROOF (Broadway tour at Academy of Music): An updated Fiddler

The thrill of a big show-biz production and the feeling of authenticity

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BATHTUBS OVER BROADWAY (dir. Dava Whisenant): Philadelphia Film Festival review

Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for movies like The Room tend…

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Shoplifters (dir. Hirokazu Koreeda): Philadelphia Film Festival review

The best films are those which afford the viewer an inside look into a life experience different from their own

burning movie review

Burning (dir. Chang-dong Lee): Philadelphia Film Festival review

Based on a Murakami short story, BURNING clocks in at 148 indispensable minutes.

Sweat Philadelphia theater review

SWEAT (PTC): What’s the matter with Reading?

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

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PLUNGE (Brian Sanders JUNK): 2018 Fringe review

PLUNGE is yet another fruit of Brian Sanders’ creative genius

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FRANKENSTEIN; OR THE MODERN PROMETHEUS (Quintessence Theatre): It’s Alive!!

Quintessence Theatre dynamically brings to life Mary Shelley’s classic tale of Frankenstein and his monstrous creation in a fantastic, eerily staged production

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A dilettante at large reviews NE QUITTEZ PAS (Opera Philadelphia)

What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics

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GARDENS SPEAK (Tania El Khoury): 2018 Fringe review

GARDENS SPEAK is a metaphysical experience of death and injustice… and a tangible experience of growth and self-expansion.

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PAPRIKA PLAINS (Natalie Fletcher / Jessica Noel): 2018 Fringe review

Like a Joni Mitchell song, PAPRIKA PLAINS is intimate, artful, and affecting.

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TIAN WEN: Heavenly Questions for Modern Times (Hua Hua Zhang’s Visual Expressions): 2018 Fringe review

Am I dreaming of being a butterfly or is the butterfly dreaming of being me?

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LONG TROUBLE (Svaha Theatre Collective): 2018 Fringe review

There’s a lovely simplicity in Elise D’Avella’s staging of the tragic story.