Reviews

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I <3 ADRIAEN (Gerhardus): 2018 Fringe review

An artful blend of theater and history thrives among the tombstones at Old Swedes Church

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DAY OF ABSENCE (Flying Quilt/Iron Age): 2018 Fringe review

It’s haunting how relevant—and funny—this somewhat dated piece remains

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COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review

Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcoming, accessible, easy-to-enjoy theater.

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(KENSINGTON) STREETPLAY (Renegade): 2018 Fringe review

I wish Renegade could conduct these walking performances all year round

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MOONWRITERS: Local Women Writers (Rhythm & Bones Literary Magazine): 2018 Fringe review

Several local women writers perform their work in an illuminating, engagingly entertaining literary slam-dunk of an event

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THE PRESENTED (Chris Davis): 2018 Fringe review

Chris Davis has come into his own as an exuberant and irresistible Rumpelstiltskin who spins his own life’s straw into gold.

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VILLAIN (Jon & Marissa Edelman/PHIT): 2018 Fringe review

A telling tale of what it means to be an immigrant in the U.S. today

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FIGMAGO (Meg Saligman Studio and Brian Sanders’ JUNK): 2018 Fringe review

For those who ever stopped to look up the giant painting on the wall of one of the buildings in Philadelphia and wondered how such an awe-inspiring artwork was created

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FLY EAGLES FLY (Tribe of Fools): 2018 Fringe review

With life and football you have to push through it all to get to the joy.

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IN THE FOREST (Tangle Movement Arts): 2018 Fringe review

Each viewer experiences this 360-degree show in his/her own way.

RIDICULOUS, Jennifer Blaine's 16th original solo work for the Philly Fringe, is out-of-character in that she is "playing" herself rather than other characters.

RIDICULOUS (Jennifer Blaine): 2018 Fringe review

Ridiculous, Jennifer Blaine, L’Etage, Sorry, Safety By Numbers, Dirty Joke, Vicissitudes of Travel, Kate Gibson, Karen Getz, Lily Blaine, Paprika Plains

Kill Move Paradise at the Wilma. Photo by Joanna Austin, AustinArt.org.

KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review

There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder

Photo by Mark Garvin.

IRVING BERLIN’S HOLIDAY INN (Walnut Street Theatre): Longing for a time that never was

IRVING BERLIN’S HOLIDAY INN takes us back to a kinder, gentler time when people could burst into song for no reason whatsoever.

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WHITE FEMINIST (Lee Minora): 2018 Fringe review

A no-holds-barred look at the ways in which white feminists, with the best of intentions, don’t always walk even their own talk.

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HAPGOOD (Lantern): Rising to the challenge of a gleefully complicated spy story

Hapgood is not just a spy story, it’s also a physics story

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WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review

WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walker’s previous Fringe entries

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ONE MAN’S TRASH: A CABARET ABOUT TREASURE (Tiny Rocks): 2018 Fringe review

The show is basically a pirate-themed excuse for these two twee indie folkies to sing their songs of love and independence.

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AN UNOFFICIAL UNAUTHORIZED TOUR OF LOVE PARK (Rose Luardo/Kate Banford): 2018 Fringe review

The piece gets its appeal from the increasingly outlandish characters and an inventive absurdity that devolves into a game of fetch and walking construction barrels.

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A VACATION (Poison Apple Initiative): 2018 Fringe review

Dante had Virgil; in the divine comedy of our times, we have a self-absorbed vlogger.

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NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review

A punk-horror Fringe show which engages the audience and keeps the us engaged