Philadelphia Orchestra principal bassoonist Daniel Matsukawa was featured in a chamber music program presented by the Philadelphia Chamber Music Society and the Musical Fund Society of Philadelphia
Featured as part of the Greater Filmadelphia programming block, Flesh and Blood is Mark Webber’s semi-autobiographical tale of addiction and redemption.
A cast of incredible movers highlights the long-term success of the company and range of the work they present.
Bloody Milk is a sort of genre-less affair which could best be described as “occupational drama
dressed up like a thriller.”
The term ‘found footage’ is typically reserved for horror, where it describes a specific filmmaking style. With Jane, the stunning documentary about conservationist, Jane Goodall, the term is a literal…
I, Tonya wants to be about love.
Dan Scully considers I, Tonya; Thoroughbreds, and The Villianness.
What is most impressive about Breathe is its unimpressiveness. And that is a sincere compliment.
The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play
An excellent play well done.
It is our job as artists to create environments for people to see things differently. Pig Iron did that.
Sketches by Chuck Schultz.
Seeing KINKY BOOTS every couple of years turns out to be a semi-good idea
Ralph Malachowski see’s the Pride Night performance of Sam Shepard’s SIMPATICO.
A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Walnut): A funny thing is happening now at the Walnut
Sondheim’s classic musical in a new production is directed by Frank Ferrante.
This bountiful menu of music had something for every taste
A worthy anchor of Opera Philadelphia’s inaugural O17 Festival.
Who would want to read their middle school diaries? The members of AntiGravity Theatre Project, that’s who.