A new musical reintroduces the famous crime duo.

A dilettante at large considers two exhibitions at the Philadelphia Museum of Art

The exquisite program notes took the audience as close to the sixteenth century French Noel midnight mass as possible

The Nutcracker is not just a lovely holiday tradition. It’s am ambassador for ballet, gaining fans who have never been to seen ballet before.

Seduction by examples of computational intractability

Tiny Dynamite’s A Play A Pie A Pint makes a welcome return with a smart and silly one-man show

A whimsical and educational show combining images of the city by moonlight, gaslight, electric light, fire and lightning.

Stepping back to a Victorian workhouse with Quintessence Theatre Group.

We meet flatulent Italian Spazzolino, a wooden migrant to the New World, step into a barber shop with talking combs, and hear about the struggles of travel from simply constructed dolls.

The original works testify to the skills of the BalletX dancers and the abilities of new generations of ballet choreographers.

Henrik Eger’s entertaining, yet sensitive review of a fun holiday show.

The Heath Quartet plays Tippett, Britten, and Purcell

As we enter the season of unpredictable weather, go to Act II to get their take on the warm and fuzzies mixed with the cold shoulder.

We like our fantasies to be readily identifiable as such and to be realistic in their details.

The exuberant choreography was spectacular, the dancers striking, and the dramatic finale stirred the viewers’ imagination.

The film explores the lengths that someone will go just to save their reputation and/or bank account.

Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald?

A review in words and sketches.

The film blogosphere has been alight about Joseph Kahn’s latest feature, Bodied, since its explosive debut at TIFF over a year ago.

Not quite “Sing, oh muse, of the rage of Achilles.”