Reviews

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THE LIGHT PRINCESS (Arden): An elixir of make-believe

The Arden Theatre Company’s world premiere of THE LIGHT PRINCESS mixes up a elixir of make-believe

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Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

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#IAMMADEOFSTARS (Almanac): Artistes of the floating world

combines the complex questions of humanity, (such as ‘Why am I here?’) with the natural improvisation life requires, and expresses it physically alongside a healthy dose of humor.

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POINTS OF LIGHT (Tangle Movements Arts): Feminine, powerful, innovative

Philadelphia’s favorite circus art troupe Tangle Movement Arts was back in Old City’s Neighborhood House on April 7 and 8. Ever-changing and always in search for new ways to broaden…

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ROMANCE (PA Ballet): Fall in love with a provocative and diverse program

ROMANCE showcases the diversity and beauty of the Pennsylvania Ballet’s dancers.

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SHADOWLAND (Pilobolus Dance Theater): A dynamic journey

An intricate show with a captivating journey maintained with ease through each scene.

Mattie Hawkinson (as Penthea), Josh Carpenter (as Orgilus), Gregory Isaac (as Bassanes). Photo by Shawn May.

THE BROKEN HEART (Quintessence): Dark matter

Melancholy John Ford was more ‘himself’ and less ‘Shakespearean’ than other less bold Cavalier dramatists.

Jessica Lang Dance perform Thousand Yard Stare. Photo by Todd Rosenberg

JESSICA LANG DANCE (NextMove Dance): Simply beautiful and vocal

Lang’s choreographies, and the movement of her dancers, give the impression of being settling and modest.

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HAND TO GOD (PTC): The human comedy with sock puppets

What a funny, nasty, smart show.

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CABARET (Roundabout Theatre): Tomorrow belongs to…

This brilliant Kander and Ebb show is about the decadence of Weimar Germany and the rise of Nazism

Lenta (Aneta Kerova) and the Old Woman (Azetz Papadopoulou). Sketch by Chuck Schultz.

ADAPT! (Wilma): On the brink of dawn

Blanka Zizka boldly steps forth as both debut playwright and seasoned director of the semi-autobiographical ADAPT!

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THE DELPHI PROJECT ANNUAL PERFORMANCE (with PA Ballet): Child’s play

Art is a way to express the truth. The truth of our emotions. The truth of our lives. The truth of ourselves.

Bi Jean Ngo and Mina Kawahara in YOU FOR ME FOR YOU. Photo by Kate Raines/Plate 3 Photography.

YOU FOR ME FOR YOU (Interact): Sisters in different worlds

This thoughtful production changes how we see the world and ourselves

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THE IMPORTANCE OF BEING EARNEST (Walnut): A trivial comedy for serious people

Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style.

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IRONBOUND (Simpatico): Does this bus stop at 82nd street?

IRONBOUND takes place outside of a bus stop in front of a factory in New Jersey.

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TOMFOOLERY (Act II): Rediscovering the satire of Tom Lehrer

Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters

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Dance in Sketch: LES BALLETS TROCKADERO DE MONTE CARLO (Prince Theater)

Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.

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SIDE SHOW (Media Theatre): Coming together on a small stage

SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production