A charming comedy buried under an avalanche of frenetic activity

The performance follows a week long residency by the company at Esperanza Academy which included masterclasses, workshops, and guided discussions.

The heat is on in Saigon as MISS SAIGON makes its way to the Academy of Music for its Philadelphia premiere.

Martha Graham Cracker (aka Dito von Reigersberg) is back in Philly for only three shows

Dan Scully reviews the new film by actor Idris Elba.

All of this actually happened, and relatively recently to boot.

Toby Zinman feels the Japanese rhythms of KODO drum troupe.

Angel Corella’s restaging preserves the tradition of the classic ballet and manifests true love onstage.

In DA, a writer has reached the “go back home” stage of the writer’s life cycle.

GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.

A tale about men with little to lose and everything to gain,

What should’ve been a paean to girl power is instead a bland, by-the-numbers product of the Marvel machine.

Great things are done by a series of small things brought together —Vincent Van Gogh When Bob is born and immediately deserted in a White Castle restaurant bathroom, an employee…

A play which powerfully purveys distinct, upfront viewpoints and perceptions unlike any other medium.

I say women were “placed” in these roles when what I really mean is “stuffed.”

I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in my entire life. Yes, Johnny…

Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT’S DREAM.

Benjamin Britten’s music still sounds wonderfully imaginative and modern

With BOX CLEVER, Inis Nua has done the impossible: make bureaucracy theatrical.

Idris Goodwin’s play shows how compromise and dialog work better than insults and labels