A witty as well as funny musical that brought the happy house game.
What is contemporary ballet? Where is it heading? Pennsylvania Ballet offer some answers.
OH MERCY! (orig. “Roubaix, une lumière”) (dir. ARNAUD DESPLECHIN): 2019 Philadelphia Film Festival Review
Suspense is just a side effect to this crime-ridden film that’s not a crime film
Curio’s The Mystery of Irma Vep requires virtuosity. Watching the production turns out to be more exhausting than fun.
Bristol Riverside Theatre’s snazzy Next to Normal leaves reviewer Josh Herren cold.
THE (TORTURE) REPORT is captivating start to finish — the audience is expected to keep up with all the timeline and key elements changing the course of the investigation, and…
BY THE GRACE OF GOD (orig. “Grâce à Dieu”) (dir. François Ozon) 2019 Philadelphia Film Festival review
Prepare to be outraged, triggered, maybe cringe a bit, cry a bit, smile a bit, or get up and cheer for justice. At the very least, you’ll grow more empathy…
An existential, feminist play of wildly mournful keening, filled with rich Ianguage, intense questions, and rueful comedy
The constant menace of teenage ambition hums under the entire production.
The more things change, the more they stay the same.
BLOW THE MAN DOWN (dir. Bridget Savage Cole + Danielle Krudy): 2019 Philadelphia Film Festival review
An exciting film from a duo of filmmakers who I will surely be watching out for.
Rundown of Philadelphia theater shows onstage this November
There’s ethereal magic to be found in this stripped and reconstituted Victorian Gothic piece
You’ve never seen a movie like HARRIET