Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre

Two brothers must find each other before they can find themselves.

Prior to the 2003 invasion of Iraq, a low-level British Intelligence translator, Katherine Gun, found herself privy to information which indicated high-level corruption. A joint US/UK spying operation was put…

What appears on its surface to be your typical “older people in love” romantic comedy turns out to be much more. Certainly, this is a romantic comedy about senior citizens,…

Mike Wallace is Here is entertaining and educational, miraculously giving us a thorough portrait free of excessive editorial spin.

Avengers: Endgame had to stick the landing. It did.

Stay with us; for it is toward evening and the day is spent.

Experiencing Kun-Yang Lin/Dancers, you may come to feel and understand what yin and yang means.

Based on a play by J.C. Lee (Warplay, Pookie Goes Grenading), this talky drama positively smolders from beginning to end

I’d still like to know more about pasta

Based on a story first made popular on an episode of This American Life

This is Fight Club by way of Napoleon Dynamite

Perhaps the biggest compliment I can give the film is also the one that scares me most: I want to listen to more country.

PAC’s full production of the 17th century play retains the fun and accessibility of its Venture Reading series performances.

The Pennsylvania Ballet does their best to ignore their fantastic orchestra

Unlike a lot of onscreen heroes, Zachary Levi is having fun. So are we.

As Lear, Robert Jason Jackson is “every inch a king.

Julius Ferraro and Christopher Munden discuss Lantern Theater’s production on Gchat.

At once a financial thriller, a workplace comedy, and a character study of obsessives, this strange curiosity fails to commit to any one tone.

The most important thing about Us is that it is absolutely fucking terrifying.