Theatre Exile’s newest offering left Josh Herren cold. He is trying to figure out why.
View More BABEL (Theatre Exile): Uncertifiable
Category: Reviews
HELLO DOLLY! (touring): 60-second review
They sure don’t write them like this anymore.
View More HELLO DOLLY! (touring): 60-second review
THE SLEEPING BEAUTY (Royal Opera House Live Cinema): Authentic classic ballet, onscreen
An enchanted, glorious ballet at Ritz 5
View More THE SLEEPING BEAUTY (Royal Opera House Live Cinema): Authentic classic ballet, onscreen
RACHEL (Quintessence): Screaming from the Past
A work of incredible importance to American theatrical history
View More RACHEL (Quintessence): Screaming from the Past
OUTSIDE MULLINGAR (DTC): An Irish love story
A love story in which the course of love would run smooth if it weren’t for stubbornness, misunderstanding, and Irish prudery
View More OUTSIDE MULLINGAR (DTC): An Irish love story
ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND (dir. Daniel Roher): Film review
It’s the classic story of bands across eras and genres, but this is the story of The Band.
View More ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND (dir. Daniel Roher): Film review
JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Jenna Kuerzi + Val Dunn): Pirates of the leisure class
We’re all fucked, enjoy the show.
View More JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Jenna Kuerzi + Val Dunn): Pirates of the leisure class
SNATCHERS (dir. Benji Kleiman & Stephen Cedars): Film review
SNATCHERS is the next in a current wave of splatterfests with a social conscience, and it’s a top-tier entry.
View More SNATCHERS (dir. Benji Kleiman & Stephen Cedars): Film review
ELEANOR: AN AMERICAN LOVE STORY (Media Theatre): 60-second review
Pleasant to watch and quite informative, but little seems at stake
View More ELEANOR: AN AMERICAN LOVE STORY (Media Theatre): 60-second review
THE BED SHOW (Unattended Baggage): 60-second review
A delightfully immersive peek into “bed culture”
View More THE BED SHOW (Unattended Baggage): 60-second review
FOOL FOR LOVE (EgoPo): Secrets, raw passion, and danger
Sam Shepard can set up a world like nobody else
View More FOOL FOR LOVE (EgoPo): Secrets, raw passion, and danger
BIRDS OF PREY (dir. Cathy Yan): Film review
What is it about the world of Batman that enchants me so?
View More BIRDS OF PREY (dir. Cathy Yan): Film review
DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
View More DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
KING LEAR (Bristol Riverside): Mommy issues
We start to experience the world as Lear might, slowly losing their sense of reality
View More KING LEAR (Bristol Riverside): Mommy issues
[nyc] MEDEA (BAM): Euripides should sue
British auteur-director Simon Stone has rewritten the ancient Greek tragedy, Medea, to fit the contours of the contemporary world
View More [nyc] MEDEA (BAM): Euripides should sue
A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa
How wonderful that we have Oscar Wilde’s works and can go and see his plays
View More A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa
MAN OF GOD (InterAct): Worthy of praise
Anna Moench’s new, short, fascinating play is not to be missed.
View More MAN OF GOD (InterAct): Worthy of praise
Oscar Nominated Live Action Short Films: A review
Rejoice in what has become my favorite Oscar tradition.
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Oscar Nominated Animated Short Films: A review
Animated stories told with focused precision
View More Oscar Nominated Animated Short Films: A review
A WOMAN OF NO IMPORTANCE (Walnut Street): 60-second review
A play of little importance
View More A WOMAN OF NO IMPORTANCE (Walnut Street): 60-second review