Angel Corella’s restaging preserves the tradition of the classic ballet and manifests true love onstage.

In DA, a writer has reached the “go back home” stage of the writer’s life cycle.

GEM OF THE OCEAN is about a lot of things, including race, mysticism, and murder.

A tale about men with little to lose and everything to gain,

What should’ve been a paean to girl power is instead a bland, by-the-numbers product of the Marvel machine.

Great things are done by a series of small things brought together —Vincent Van Gogh When Bob is born and immediately deserted in a White Castle restaurant bathroom, an employee…

A play which powerfully purveys distinct, upfront viewpoints and perceptions unlike any other medium.

I say women were “placed” in these roles when what I really mean is “stuffed.”

I didn’t dare to tell anyone what “Depp” means to German-speakers, as I didn’t want to spoil the most unusual Valentine’s date I had in my entire life. Yes, Johnny…

Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT’S DREAM.

Benjamin Britten’s music still sounds wonderfully imaginative and modern

With BOX CLEVER, Inis Nua has done the impossible: make bureaucracy theatrical.

Idris Goodwin’s play shows how compromise and dialog work better than insults and labels

Angela Harmon reviews the new movie by director Emma Forrest.

You can see why Walnut Street Theatre included OLEANNA in its current season.

Eleanor Burgess’s play addresses current debates with careful but sweeping intelligence.

The Philadelphia Chamber Music Society presents a Musical Fund Society Series with Xavier Foley, Sejoon Park, and Eunice Kim

How do you do fellow kids?

An attempt to detangle this nine-scene play that’s designed to move backwards

Pinter’s use of reverse chronology highlights depths beyond the quiet drama and sedate setting.