Reviews

MEAN GIRLS (national tour): Doesn’t quite clique

“It’s not Ibsen,” I reminded myself, “It doesn’t have to be Sondheim. Just enjoy the show and have fun!”

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THE LAST MATCH (Lantern): Set points

Playwright Anna Ziegler drops us deep into an intricate game of high-stakes tennis

SHREK THE MUSICAL (Walnut Street): 60-second review

A witty as well as funny musical that brought the happy house game.

SUNSET BABY (Azuka): A shining lead performance

Victoria Aaliyah Goins shines in a new play by a hot young playwright

WORLD PREMIERES (PA Ballet): A diverse program of new work

What is contemporary ballet? Where is it heading? Pennsylvania Ballet offer some answers.

OH MERCY! (orig. “Roubaix, une lumière”) (dir. ARNAUD DESPLECHIN): 2019 Philadelphia Film Festival Review

Suspense is just a side effect to this crime-ridden film that’s not a crime film

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EUREKA DAY (InterAct): 60-second review

Another, brief take on InterAct Theatre’s latest production

THE MYSTERY OF IRMA VEP (Curio): A comedy of labor

Curio’s The Mystery of Irma Vep requires virtuosity. Watching the production turns out to be more exhausting than fun.

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NEXT TO NORMAL (Bristol Riverside): Rock concert or psycho-drama?

Bristol Riverside Theatre’s snazzy Next to Normal leaves reviewer Josh Herren cold.

THE REPORT (dir. Scott Z. Burns): 2019 Philadelphia Film Festival review

THE (TORTURE) REPORT is captivating start to finish — the audience is expected to keep up with all the timeline and key elements changing the course of the investigation, and…

BY THE GRACE OF GOD (orig. “Grâce à Dieu”) (dir. François Ozon) 2019 Philadelphia Film Festival review

Prepare to be outraged, triggered, maybe cringe a bit, cry a bit, smile a bit, or get up and cheer for justice. At the very least, you’ll grow more empathy…

EUREKA DAY (InterAct): An infectious satire

No easy answers, no good guys/bad guys; it’s life as we cope with it, only funnier.

A SMALL FIRE (PTC): 60-second review

Joanie Schultz’s direction centers on masterful and delicate performances by Bebe Neuwirth and John Dossett.

WOMAN AND SCARECROW (Irish Heritage Theatre): When did this all end in tragedy?

An existential, feminist play of wildly mournful keening, filled with rich Ianguage, intense questions, and rueful comedy

DANCE NATION (Wilma): What it means to be ferociously pubescent

The constant menace of teenage ambition hums under the entire production.

BLOW THE MAN DOWN (dir. Bridget Savage Cole + Danielle Krudy): 2019 Philadelphia Film Festival review

An exciting film from a duo of filmmakers who I will surely be watching out for.

Neal Zoren’s Shows to See in Philadelphia This November

Rundown of Philadelphia theater shows onstage this November

mccarter frankenstein review

MARY SHELLEY’S FRANKENSTEIN (Lookingglass Theatre Company at McCarter): Second review

There’s ethereal magic to be found in this stripped and reconstituted Victorian Gothic piece