Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters
So what does this genius look like?
Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.
SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
The Berserker Residents take us back to school
Every aspect of TORUK is simply breathtaking and astonishing.
Pennsylvania Ballet’s LE CORSAIRE is as gorgeous and breath-taking as it should be.
Shakespeare made simple, and simply fun.
The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
From the author of such children’s classics as The Giving Tree and Where the Sidewalk Ends comes a socially insightful series of vignettes
Yes, that was me sobbing on opening night of LOST GIRLS.
Not only successful as a forum to provide opportunities and experiences to young choreographers and dancers, the Choreographic Workshop was also very well done as a performance.
Kirill Gerstein bathed his Princeton audience in splendor Monday, February 27, when the pianist presented a recital featuring Bach, Brahms, Beethoven and Liszt at the McCarter Theatre. Nothing about this…
A ballet that appeals across ages and language.
Last weekend Moving Arts of Mount Airy witnessed a gathering artists connecting subjects to their own artistic voices
What does this spacial or architectural acknowledgement yield?
Pennsylvania Ballet II is performing four new dance works created on the dancers of the company by four talented choreographers with deep connection to Philadelphia ballet scene.