Reviews

EUREKA DAY (InterAct): An infectious satire

No easy answers, no good guys/bad guys; it’s life as we cope with it, only funnier.

A SMALL FIRE (PTC): 60-second review

Joanie Schultz’s direction centers on masterful and delicate performances by Bebe Neuwirth and John Dossett.

WOMAN AND SCARECROW (Irish Heritage Theatre): When did this all end in tragedy?

An existential, feminist play of wildly mournful keening, filled with rich Ianguage, intense questions, and rueful comedy

DANCE NATION (Wilma): What it means to be ferociously pubescent

The constant menace of teenage ambition hums under the entire production.

BLOW THE MAN DOWN (dir. Bridget Savage Cole + Danielle Krudy): 2019 Philadelphia Film Festival review

An exciting film from a duo of filmmakers who I will surely be watching out for.

Neal Zoren’s Shows to See in Philadelphia This November

Rundown of Philadelphia theater shows onstage this November

mccarter frankenstein review

MARY SHELLEY’S FRANKENSTEIN (Lookingglass Theatre Company at McCarter): Second review

There’s ethereal magic to be found in this stripped and reconstituted Victorian Gothic piece

DOGS DON’T WEAR PANTS (dir. J-P Valkeapää): 2019 Philadelphia Film Festival review

Even those not on board with the film’s themes will be won over by the sensory experience

The Irishman film review

THE IRISHMAN (dir. Martin Scorsese): 2019 Philadelphia Film Festival review

A stunningly realized world with an ensemble of legends doing what they do best

DON QUIXOTE (PA Ballet):

A thrilling reprise from Pennsylvania Ballet

bacurau movie review

BACURAU (dir. Kleber Mendonça Filho, Juliano Dornelles): 2019 Philadelphia Film Festival review

If Bacurau is what an international genre film looks like, color me excited, because it’s a great look.

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MARY SHELLEY’S FRANKENSTEIN (McCarter): Overreaching ambition

Theatrically spectacular but without the marvelous profundity of the source novel

DEERSKIN (dir. Quentin Dupieux): 2019 Philadelphia Film Festival review

There is nobody making films like Quentin Dupieux. The gleefully immature DEERSKIN might be his most mature work yet

THE SYNGE TRIPTYCH (Quintessence): Celebrating the common people of Ireland

In repertory with their solid production of PLAYBOY OF THE WESTERN WORLD, the company presents three of Synge’s one-acts as THE SYNGE TRIPTYCH.

PARASITE (dir. Joon-ho Bong): 2019 Philadelphia Film Festival review

This years Palme d’Or winner at Cannes was also the opening night film for the 28th annual Philadelphia Film Festival.

DOT (People’s Light): A (fading) memory play

Mmemories fill a family’s West Philadelphia home like radio waves.