Based on a play by J.C. Lee (Warplay, Pookie Goes Grenading), this talky drama positively smolders from beginning to end

I’d still like to know more about pasta

Based on a story first made popular on an episode of This American Life

This is Fight Club by way of Napoleon Dynamite

Perhaps the biggest compliment I can give the film is also the one that scares me most: I want to listen to more country.

PAC’s full production of the 17th century play retains the fun and accessibility of its Venture Reading series performances.

The Pennsylvania Ballet does their best to ignore their fantastic orchestra

Unlike a lot of onscreen heroes, Zachary Levi is having fun. So are we.

As Lear, Robert Jason Jackson is “every inch a king.

Julius Ferraro and Christopher Munden discuss Lantern Theater’s production on Gchat.

At once a financial thriller, a workplace comedy, and a character study of obsessives, this strange curiosity fails to commit to any one tone.

The most important thing about Us is that it is absolutely fucking terrifying.

A charming comedy buried under an avalanche of frenetic activity

The performance follows a week long residency by the company at Esperanza Academy which included masterclasses, workshops, and guided discussions.

The heat is on in Saigon as MISS SAIGON makes its way to the Academy of Music for its Philadelphia premiere.

Martha Graham Cracker (aka Dito von Reigersberg) is back in Philly for only three shows

Dan Scully reviews the new film by actor Idris Elba.

All of this actually happened, and relatively recently to boot.

Toby Zinman feels the Japanese rhythms of KODO drum troupe.

Angel Corella’s restaging preserves the tradition of the classic ballet and manifests true love onstage.