Josh Herren realizes he simply loves HELLO, DOLLY!
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Category: Reviews
[nyc] THE HEADLANDS (Lincoln Center): Unraveling a family history
Families, as we know, have secrets
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[nyc] CAMBODIAN ROCK BAND (Signature Theatre): Rocking Off-Broadway
Playwright Lauren Yee’s script is really two shows: an old-fashioned rock concert uncomfortably yoked to a somber history drama.
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BABEL (Theatre Exile): Uncertifiable
Theatre Exile’s newest offering left Josh Herren cold. He is trying to figure out why.
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HELLO DOLLY! (touring): 60-second review
They sure don’t write them like this anymore.
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THE SLEEPING BEAUTY (Royal Opera House Live Cinema): Authentic classic ballet, onscreen
An enchanted, glorious ballet at Ritz 5
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RACHEL (Quintessence): Screaming from the Past
A work of incredible importance to American theatrical history
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OUTSIDE MULLINGAR (DTC): An Irish love story
A love story in which the course of love would run smooth if it weren’t for stubbornness, misunderstanding, and Irish prudery
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ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND (dir. Daniel Roher): Film review
It’s the classic story of bands across eras and genres, but this is the story of The Band.
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JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Jenna Kuerzi + Val Dunn): Pirates of the leisure class
We’re all fucked, enjoy the show.
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SNATCHERS (dir. Benji Kleiman & Stephen Cedars): Film review
SNATCHERS is the next in a current wave of splatterfests with a social conscience, and it’s a top-tier entry.
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ELEANOR: AN AMERICAN LOVE STORY (Media Theatre): 60-second review
Pleasant to watch and quite informative, but little seems at stake
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THE BED SHOW (Unattended Baggage): 60-second review
A delightfully immersive peek into “bed culture”
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FOOL FOR LOVE (EgoPo): Secrets, raw passion, and danger
Sam Shepard can set up a world like nobody else
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BIRDS OF PREY (dir. Cathy Yan): Film review
What is it about the world of Batman that enchants me so?
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DESCRIBE THE NIGHT (Wilma): Put on your thinking caps
Put on your thinking cap if you’re thinking of going to see DESCRIBE THE NIGHT
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KING LEAR (Bristol Riverside): Mommy issues
We start to experience the world as Lear might, slowly losing their sense of reality
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[nyc] MEDEA (BAM): Euripides should sue
British auteur-director Simon Stone has rewritten the ancient Greek tragedy, Medea, to fit the contours of the contemporary world
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A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa
How wonderful that we have Oscar Wilde’s works and can go and see his plays
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MAN OF GOD (InterAct): Worthy of praise
Anna Moench’s new, short, fascinating play is not to be missed.
View More MAN OF GOD (InterAct): Worthy of praise