The Monti Cerabino and Emily Betts produce a damn clever piece of theater

Stephanie Blythe as Blythely Oratonio performing at LATE NIGHT SNACKS

A brilliant production by Half Straddle based on an FBI transcription

Shadowy figures lurk on the dark towpath under the Green Lane Bridge. That would be us.

Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral

Two worthwhile new works of exploration by Alice Hakvaag and Michael Stahler.

A ghost tour through a cemetery with vignettes of ghosts’ backstories

Sketch and review by Chuck Schultz.

Operation: Wawa Road Trip combines physical theater with theater magic to create a hilarious journey for hoagies.

It’s Fringe, but not as we know it

PAC makes waves with a solid classic comedy with simplistic use of physicality and inventive fight choreography.

Jeffrey Sweet literally wrote the book on Chicago’s hugely influential Second City comedy troupe

Take a wild ride to a very special Wawa.

Toby Zinman reviews THE B-SIDE: “Negro Folklore from Texas State Prisons,” A Record Album Interpretation from The Wooster Group

Drag queens, musical parodies, and fart jokes—a parody of Les Mis.

Nichole Canuso imparts a different way of looking at loss, living, and love.

A powerful portrayal of the Pied Piper parable

Adventure, reunion, and love intertwine to create a scrappy maritime tale of marauding and romance.

Lisa Panzer kicks off Phindie’s review coverage of the 2019 Fringe Festival

Play the immortal romance slot here