MINORITY portrays gentrification and its evils in a complexity lacking from the characters that inhabit the fictional Hope Street.
View More MINORITYLAND (Power Street Theatre): The G wordCategory: Reviews
THE NIGHT ALIVE (Inis Nua): 60-second review
A quiet, human look at modern isolation
View More THE NIGHT ALIVE (Inis Nua): 60-second reviewPLAYBOY OF THE WESTERN WORLD (Quintessence): Dead dads, tall tales, Irish intrigue
When PLAYBOY OF THE WESTERN WORLD premiered in Philadelphia in 1912, riots broke out. Quintessence’s skillful production features consistently strong performances that manage to surprise and delight.
View More PLAYBOY OF THE WESTERN WORLD (Quintessence): Dead dads, tall tales, Irish intrigueORLANDO (Villanova): Blurred lines
As Orlando journeys through genders and centuries, the pain and beauty of being a human in a body is explored with a vibrant commitment to the process of theater-making.
View More ORLANDO (Villanova): Blurred linesJOKER (dir. Todd Phillips): Film review
Dan Scully narrowly avoided the onslaught of violence that accompanied this EVIL, EVIIIIL movie. Jk.
View More JOKER (dir. Todd Phillips): Film reviewTHE ROOMMATE (1812 Productions): 60-second review
Where are Oscar and Felix when you really need them?
View More THE ROOMMATE (1812 Productions): 60-second reviewAUTOPIA (Hella Fresh): 2019 Fringe review
I’m reminded to look around and appreciate the magic of the theater.
View More AUTOPIA (Hella Fresh): 2019 Fringe reviewLet Me Die (Joseph Keckler): 2019 Fringe review
How many times can we witness a dramatic death on TV, in movies, or even opera?
View More Let Me Die (Joseph Keckler): 2019 Fringe reviewLET ME DIE (Joseph Keckler): 2019 Fringe review
Spoilers puts it mildly: She dies. He dies. They die.
View More LET ME DIE (Joseph Keckler): 2019 Fringe reviewA LITERAL DOLL HOUSE (Macho Goat): 2019 Fringe review
Is she playing with dolls or is she controlling her own narrative?
View More A LITERAL DOLL HOUSE (Macho Goat): 2019 Fringe reviewTHE RESISTABLE RISE OF ARTURO UI (Lantern): 60-second review
A quick, masterful production that would make Brecht proud.
View More THE RESISTABLE RISE OF ARTURO UI (Lantern): 60-second reviewHABIT@ (Matter Movement Group): 2019 Fringe review
An otherworldly trip into primal vitality
View More HABIT@ (Matter Movement Group): 2019 Fringe reviewThere (Wilma): 2019 Fringe review
A cosmic trip that combined both poetry and performance
View More There (Wilma): 2019 Fringe reviewPUPPET-DELPHIA FRINGE SLAM (Pantea Productions): 2019 Fringe review
A far cry from Sesame Street and Lamb Chop
View More PUPPET-DELPHIA FRINGE SLAM (Pantea Productions): 2019 Fringe reviewMETEOR SHOWER (Walnut Street): The sparks don’t fly
Steve Martin was once funny and smart.
View More METEOR SHOWER (Walnut Street): The sparks don’t flyTHE MURDER AND BOOZE CABARET (Love Drunk Life) 2019 Fringe review
Recreates the breezy cynicism of a 1920s speakeasy
View More THE MURDER AND BOOZE CABARET (Love Drunk Life) 2019 Fringe reviewTHERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
View More THERE (Wilma): 2019 Fringe reviewANOTHER AGATHA (Migration Theory): 2019 Fringe review
An enjoyably immersive experience unlike any other
View More ANOTHER AGATHA (Migration Theory): 2019 Fringe reviewCOME BACK, LITTLE SHEBA (IRC): 2019 Fringe review
IRC widens the scope of what absurdism means in our absurd world
View More COME BACK, LITTLE SHEBA (IRC): 2019 Fringe reviewAD ASTRA (dir. James Gray): Astro Dad!!!
Brad Pitt in space
View More AD ASTRA (dir. James Gray): Astro Dad!!!