Shakespeare made simple, and simply fun.
The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”
From the author of such children’s classics as The Giving Tree and Where the Sidewalk Ends comes a socially insightful series of vignettes
Yes, that was me sobbing on opening night of LOST GIRLS.
Not only successful as a forum to provide opportunities and experiences to young choreographers and dancers, the Choreographic Workshop was also very well done as a performance.
Kirill Gerstein bathed his Princeton audience in splendor Monday, February 27, when the pianist presented a recital featuring Bach, Brahms, Beethoven and Liszt at the McCarter Theatre. Nothing about this…
A ballet that appeals across ages and language.
Last weekend Moving Arts of Mount Airy witnessed a gathering artists connecting subjects to their own artistic voices
What does this spacial or architectural acknowledgement yield?
Pennsylvania Ballet II is performing four new dance works created on the dancers of the company by four talented choreographers with deep connection to Philadelphia ballet scene.
The Cuban dancers of Malpaso Dance Company evoke the Cuban experience through an interplay of color and shadow.
A RIDE ON THE IRISH CREAM (Erin Markey/ FringeArts): The mind does crazy, sexy, cool things with memories
In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.
Malpaso Dance Company brings heat to the Prince Theater with energetic dancers trained at Cuba’s national dance schools.
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017