People’s Light & Theatre Company pairs Itamar Moses’s uber-witty historical farce BACH AT LEIPZIG with the zaniness of director Pete Pryor in a hilarious, intelligent production.
One of the most successful plays in Broadway history makes its way to the iconic Bucks County Playhouse. DEATHTRAP is a mystery/thriller (brimming with bleak humor) by Ira Levin (“Rosemary’s Baby). DEATHTRAP is the story of a once-famous playwright Sidney Bruhl (Saxon Palmer) with an enormous case of writer’s block living with his beautiful wife Myra (Angela Pierce) in Connecticut.
Corinna Burns’ INTERNET STALKER and Chris Davis’ BORTLE 8 is the perfect pairing of “two shows one roof” (not under, but on) in this year’s SoLow Fest. Each writer/performer is…
In SEX, DRUGS, ROCK & ROLL, Eric Bogasian’s revolving cast of characters—an aging rock star, a homeless bottle man, an 80s yuppie, and a handful of others—have little in common except their masculine hedonism.
The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review
Directed by Marsha Mason, the actress in the original film adaptation, Neil Simon’s CHAPTER TWO is a romantic comedy/drama in the spirit of the Hotel Suite.
It’s 1995, siblings Walker (Mark Sherlock) and Nan (Jessica Snow) meet at a run-down Manhattan loft after the death of their star-architect father. Peripatetic Walker has just returned from his latest escapist foreign jaunt and is obsessed by a new find: the journal of his taciturn father. Maybe this will will reveal the inner soul of this silentious man?
Some of life’s biggest journeys begin with that one small voice in our heads, telling us to take an unexpected leap of faith. As a painfully shy young girl channeling bold songstresses of the past through her deceased father’s record collection, Ellie Mooney delightfully shows audiences how to find the power within, as the star of THE RISE AND FALL OF LITTLE VOICE.
Marcel Williams Foster turns social media and performance upside down, and spontaneous performance, situational intimacy, and social media are the tools you have to curate your own audience/performer experience.
Using theses and other techniques to activate the audience, theatermaker/scientist Marcel Williams Foster takes us on a self-referential tweeting goose chase. How ‘meta.’
HOTEL SUITE highlights the best of Neil Simon’s successful play-turned-movie series including PLAZA, CALIFORNIA, and LONDON SUITES. HOTEL SUITE is a fun, in-your-face, comical view of real life for two…
With clever repartee, SNOWGLOBE cleverly tackles deep existential questions. Under Bill McKinlay’s direction, the actors bring life and nuance to the clever Beckettian back-and-forth.
To mark the 20th anniversary of BEAUTIFUL THING, Mauckingbird Theatre Company, dedicated to gay-themed work, begins its 2014 season with a production of English playwright Jonathan Harvey’s bittersweet comedy about…
Dylan Thomas’s poem A CHILD’S CHRISTMAS IN WALES runs the risk of becoming sticky-sweet with nostalgia, and it is director Sebastienne Mundheim’s idiosyncratic vision, and the spot-on instincts of her actors, which…
MEET ME IN SAINT LOUIS: A LIVE RADIO PLAY is based on The Kensington Stories by Sally Benson and the MGM motion picture Meet Me in Saint Louis; the musical book written by Hugh Wheeler was expertly adapted to the unique radio play style by Joe Landry. Simply, this show is fun.
In the Middle Ages, the Church endorsed theatrical depictions of Church teachings to educate a mostly illiterate public. EVERYMAN is only one of five from its time that has survived to today. Villanova Theatr commissioned Mark J. Costello to translate the play from Middle English using modern language and the authenticity of rebelliousness in the punk subculture