A must-see musical about “the change”.

A thrilling, thought-provoking, wonderfully heart-wrenching play now receiving its world premiere by InterAct Theatre Company.

David Mamet’s amusing A LIFE IN THE THEATRE uses the simple interplay of two actors backstage at a repertory company, to talk about life outside the theater.

Presented in variety-show style with skits, songs, and improv sessions, this show is downright funny.

A budding 50s guy group that met an untimely end in an accident find themselves out of their heavenly digs and back on Earth – in front of a live audience.

With references to Throwback Thursday, Snapchat, and that annoying five-second wait to skip a YouTube video, the show focuses our attention on the funny intricacies that make up our times.

Tennessee Williams’ classic story comes to life on the stage of Act II Playhouse.

Josh Hitchens delivers a spine-chilling tour de force in his solo dramatization of one of the world’s most terrifying horror stories.

R. Eric Thomas’s updated version of his 2012 hit provides a seamless synthesis of stand-up comedy and storytelling with the narrative structure of a one-act rom-com

An imaginative exploration of why someone would commit a mass murder and how a survivor can cope with life afterwards

People’s Light & Theatre Company pairs Itamar Moses’s uber-witty historical farce BACH AT LEIPZIG with the zaniness of director Pete Pryor in a hilarious, intelligent production.

One of the most successful plays in Broadway history makes its way to the iconic Bucks County Playhouse. DEATHTRAP is a mystery/thriller (brimming with bleak humor) by Ira Levin (“Rosemary’s Baby). DEATHTRAP is the story of a once-famous playwright Sidney Bruhl (Saxon Palmer) with an enormous case of writer’s block living with his beautiful wife Myra (Angela Pierce) in Connecticut.

Corinna Burns’ INTERNET STALKER and Chris Davis’ BORTLE 8 is the perfect pairing of “two shows one roof” (not under, but on) in this year’s SoLow Fest. Each writer/performer is…

In SEX, DRUGS, ROCK & ROLL, Eric Bogasian’s revolving cast of characters—an aging rock star, a homeless bottle man, an 80s yuppie, and a handful of others—have little in common except their masculine hedonism.

The Lantern Theater Company’s remount of THE SCREWTAPE LETTERS by C.S. Lewis is a sizzling show from hell. Kathryn Osenlund’s 60-second review

Directed by Marsha Mason, the actress in the original film adaptation, Neil Simon’s CHAPTER TWO is a romantic comedy/drama in the spirit of the Hotel Suite.

Despite the bleak premise, laughter and jokes run throughout Azuka Theatre’s TIGERS BE STILL. This dark comedy looks at the things people do to cope with tragedy, and finds the humor in these strange displays.

It’s 1995, siblings Walker (Mark Sherlock) and Nan (Jessica Snow) meet at a run-down Manhattan loft after the death of their star-architect father. Peripatetic Walker has just returned from his latest escapist foreign jaunt and is obsessed by a new find: the journal of his taciturn father. Maybe this will will reveal the inner soul of this silentious man?

Some of life’s biggest journeys begin with that one small voice in our heads, telling us to take an unexpected leap of faith. As a painfully shy young girl channeling bold songstresses of the past through her deceased father’s record collection, Ellie Mooney delightfully shows audiences how to find the power within, as the star of THE RISE AND FALL OF LITTLE VOICE.

Marcel Williams Foster turns social media and performance upside down, and spontaneous performance, situational intimacy, and social media are the tools you have to curate your own audience/performer experience.

Using theses and other techniques to activate the audience, theatermaker/scientist Marcel Williams Foster takes us on a self-referential tweeting goose chase. How ‘meta.’